Tag Archives: Technique Vs Sequencing

10min Tango practice on leg strengthening, alignment and side steps

Okay! Now there is tip-heavy video coming up on leg strengthening and alignment so I don’t want to take time here to give more tips instead I would like to use this space to suggest a few Practice combos; a few other videos that could work extremely well with this newer video so you can grow your practice

First things first though… Your video for the week…

10min Tango practice on legs, alignment and side steps

Sometimes 10 minutes are more than enough.
Especially when you are starting to build your individual practice it is better to start small and expand steadily as the time goes by.
Why?
Simply, because you are still unsure of what you need to work on, what you should focus on, what your strengths are, what you should invest more time in and how…

You also need to consider this: if you START with a 1 hour practice where are going to go from there?
How will you grow beyond that, when your body and mind starts asking for more..?

When you are building your practice therefore you need to make sure that your short-term goals are not shadowing your long-term goals.

If though you are ready to invest a bit more time here are few directions you can take your practice towards…

1. Focusing on leg strengthening and balance

Add on the video we were working from 2 weeks ago if you want to work more on leg strengthening and establishing a stronger base:

10min Tango Practice on legs and balance

2. Focusing on biomechanics–how our body was built to work

Many of the tips in our video for this week have to do with how our legs move inside our hips and our hips move around our legs.
Understanding anatomy through movement not only will give you greater freedom when you dance/ move but it will also allow you to get to know your body and yourself better.

So if you want to take it into that direction, you can add this video along:

Followed by this video:

3. Making it a well-rounded practice

Depending how much time you have and how much time you can spend on your Tango during the week, you can schedule your practices in two ways:

  1. Every day you focus on something different, ex: one day on legs and balance and the other on ochos
  2. You only practice a couple times a week and so you need to work on all the fundamentals in one go, ex:
    A 20min Tango practice on posture, walks and ochos
4. Focusing on musicality

You can even take this into musicality. Technique and musicality are not at all separate. Aside from the obvious connection–aka the stronger your technique is the easier it will be to focus on the music–there is a more physical connection as well.

How you step, how you twist, how you hold your body and overall how you move will allow you to express yourself differently on the music.
Therefore after this week’s leg strengthening video can do this one:

And then this one:

It all started with leg strengthening…. But you have many choices

We started with a video on legs and alignment and look at where we are now..! haha

You have so many options, the above are only a few examples of the plethora of options that you have.
It all depends on what you want to focus on, what are your strengths and what are shortcomings.
No option is better from the other. All of them have something equally important and interesting to offer you. So it is really up to you where you want to take this!

And that is the beauty of Tango overall..!
You start with leg strengthening but from there you can grow in many many different directions all of which will make you a much better dancer and most importantly a better human.

If you decide it is worth investing your time in moving better on and off the dance floor, Tango is a great dance for that. It is heavy on technique and it throws in your face the question:

Do you want to Tango only for fun OR do you want the opportunity to move freely, get to know your body and yourself better and even become happier?

If you want the latter you should also check this out: Intelligent Tango

Let me know how your practice is going and don’t forget to have fun while you are it!

Chrisa

P.S: I read every email so don’t hesitate to shoot me an email with your questions. If I don’t answer you right away, please don’t get offended… instead give me about a week max..! ūüėČ

 

 

It is all connected– Tango, Yoga and beyond

My Tango chats are usually with other Tango professionals… like the recent one with Veronica Toumanova.
This time though I decided to do something different… or is it actually the same..?
Hmmm… We shall soon find out, I guess..!
But today I chatting Tango, Yoga, learning strategies, teaching approaches, social and life skills

Tango, Yoga and everything in between

Jill Newberry Evans of jillyoga.ca is a friend and great coworker.

For a very long time now we have been talking about how we teach movement, how our students express their needs and goals and how we can help them get closer to their goals by exposing the different paths they can follow to get there.

Every time we got started that kind of a chat we always found ourselves finishing each other’s sentences and sharing stories that had so much in common that ‚Äúit is all connected‚ÄĚ became like ¬†our little slogan

And so we thought… since it is all connected and since we can learn from one another why not bring this chat to world of the web so other people who are involved in different and seemingly unrelated activities can start connecting the dots and finding this way other more efficient and fun ways to get to their goals.

It is all connected…

We believe that there is a connecting thread, not only between Tango and Yoga but between all activities.
As Jill told me during one of our chats: “I don’t teach Yoga… I teach movement and life skills!

There are times that narrowing down and focusing on your ONE favorite activity will help to boost your progress…
But there is also the time when you need to revisit the principles of that activity under a different light and approach it following a slightly different path to be able to experience it in its totality; to be able to grow in it

We would love to hear your thoughts and comments along with your struggles and stories so we can get back with more!

Bring your NEW moves on the floor! (remembering sequences vol.#2)

Last week we were talking new moves, about the Art of Choreography and  the art of learning and remembering sequences.

The 6 six steps outlined in last week’s article focused more on helping you learn and remember new sequences and therefore they can help you build a strategy for picking up new steps faster and remembering them for longer.

Today we are taking this a step further…

Bringing your NEW moves on the floor

After being more strategic about how you receive and store the new knowledge coming in the form of steps… (haha)… sooner than later you will start noticing that picking up new moves is not the issue anymore… Building a great vocabulary will not be really a problem anymore…

What will be a problem is bringing all the new moves on the dance floor and integrating them with the routines and sequences you already.

Man is a creature of habit…

I am sure you have heard it said many times before… “Man is a creature of habit”… and like everything in life dance too is based on habits
Those habits will support effortless technique, mindful movement and of course creativity.
Though good technique might seem to be a very difficult habit to pick up on, I think creativity is much more challenging, simply because it pushes us to step out of our comfort zone and therefore make us feel exposed, weak, unsure, uncomfortable and even afraid at some level.

For these very reasons we will avoid 2 very common cliches:

  1. Just Do It! 
    Yes, you will need to take action at some point. Ideas and words will not take you there, you need actions. But having a recipe that you can follow instead of throwing in every ingredient available is also very important AND very comforting.
  2. Be present/ be in the moment/ don’t think
    It goes usually hand in hand with cliche #1.
    Though often times it is a good advice, unfortunately it only works for people who can by will erase the pastРaka a very small percentage of people.
    Being creatures of habit our past strong affects our future. Habits being built¬†over years and years of¬†good and bad experiences,¬†are very tough to break–and movement habits are no different. There are some people who can¬†disconnect from the past and therefore redirect the present but personally I haven’t met one yet…

What we will do instead, is acknowledge where we are now and then start making tiny changes one step at time.

5 steps to help you bring NEW moves in your Tango

Starting with realizing where we are, what we are really good at and where we are lacking. And then building new habits around our strongest anchors!

  1. At a practica or at the end of a class, dance a couple of different–in style–¬†songs and get it on video
  2. Write down the sequences those videos have in common. The sequences you used the most in all your videos. These are your anchors!
    The default sequences, the sequences that have become habits and therefore you do them without even thinking about them
  3. Choose 1 of those sequences… You will later add more to the mix, but start small
  4. Then during your next practice: Say: every time I do Sequence X(the one you chose) I will be doing Y right after it (Y being the new step you want to introduce to your dance)
    Example: After every giro I will be doing a colgada
    And actually DO it for the whole practica!
  5. When you start doing Y at free will, meaning without the need of the anchor–the old sequence you had it attached to–you can move on to another new sequence you want to include in your dance

Before you know your repertoire of moves will have grown immensely!

2 side notes that I think will be useful here:
  1. This whole process can be challenging and fun at the same time. Don’t let yourself get frustrated if you start practicing and you forget to do Y after X… haha… Laugh and start again!
    It is bound to happen. It will happen to everyone and the more annoyed you get the worse is going to be.
    So laugh it out and try again!
  2. I wouldn’t recommend doing this in a milonga, but not only for the reason you are thinking about–aka disrupting the flow of the pista.
    A comfort zone is called comfort zone for a reason… You need to be in a state of comfort to indulge yourself to other things that are important in social dancing such as: connection, musicality, the embrace…
    Allow yourself to find a place of comfort in a milonga, without having to think of anchors and steps.
    You will wear yourself down if you don’t allow time for pure fun!

Have fun and if you want more tips and drills and tricks, subscribe to our weekly newsletter..!

“Fun Is Good” Dr. Seuss

Chrisa

The Art of choreography– learning and remembering sequences

How many times does a teacher need to tells us…?
Tango is an improvisational dance. Remembering sequences is not important!

And yet here we are… in another milonga doing the same thing over and over again, dance after dance and getting frustrated!

The truth about improvisation in Tango

Just for the record, I want to say that I fully agree with you!

Now that we set the record straight…haha…
Why are talking here briefly about improvisation?
Because the first step to improvising is putting sequences together on the spot..!

Nike’s “just do it” doesn’t apply in milongas or better said it doesn’t apply in the beginning of any activity and for a long time after that…

I will say this though, with no intension to avoid the question, but only to provide some comfort…
In Tango you can do whatever you want as long as you can lead it or as long as you are following
Does this mean that we are in a deep chaos, with no beginning or end?
No, of course not!
It only means that doing something different than what you learned in class, is NOT wrong especially if the other person is still there with you… It is simply different
And it also means that you need to be a bit more courageous and try things, because very few things in Tango are actually wrong…!

You have already taken the big risk of walking into a class and starting something new. That is always a stressful moment, where we feel out of our comfort zone, exposed and vulnerable. But you did it!
You pushed through the taboos, the excuses, the time restrictions and you did it… Isn’t it only fair that you will allow yourself to have fun while growing and learning more and more things in activity you love?

This is therefore what I would like to inspire you to do…. to see that initial step as a big, as a HUGE step. To congratulate yourself for taking it and for not giving up. And lastly to realize that the hardest part of over and that now it is time to have some fun!

Then next time you make a mistake following the tips below, laugh it out and try again!
Learning and practicing Tango can and should be FUN!

Ok! Now it is time for some tips for learning and remembering sequences
  1. Identify the following categories of steps in Tango, as per Pedro Farias*
    1. Linear steps
    2. Circular steps
    3. Off- axis steps
  2. Based on this categorization, rethink of all the sequences you know and use often in Tango
  3. Break each sequence down to 2 parts:
    1. basic building blocks
    2. transition moves
      Your blocks or your transitions will be in one of the above categories–linear, circular or off-axis.
  4. Bring intention into the sequence.
    Try to understand why the teacher chose that block or that transition. You can do that¬†in two ways–which actually work very well together

    1. ask the teacher why..?
    2. find the answer by trying other possible transitions or building blocks.
      Play with it to understand why it works the way it does.
      Lets use an example here…¬†say part of a sequence is a back ocho, could you possibly do it with a back step, and if so, where would you end up on the dance floor?
  5. Practice the blocks and the transitions separately
  6. Practice the sequence itself and then practice the same sequence only with the blocks mixed up.
The Art of choreography

The plan above might not be the easiest-6-steps-to-remembering-sequences list, despite the fact that it works… Because though Bautanz was created to make the balance between practice-time and fun-time shift to our favour and therefore make our Tango life easier, I have and extra tip for you…

What does artistically remembering sequences stand for?
Meaning if “remembering sequences” is a skill what is the activity that is based on that skill?

… Learning choreography

Learning a choreography and dancing a choreography, is an activity based on “learning and remembering sequences”. Of course, there is more to choreography than remembering sequences, but this is a story for another article.
For now what is crucial to realize is that our brain doesn’t differentiate Tango steps from contemporary dance steps, for example.
It is all steps to be remembered and therefore exactly the same skill.

If therefore, you want to build on remembering sequences faster you need to add a choreography based activity to your schedule.
This way you are adding extra practice time on the very skill of remembering sequences, avoiding though the burn-out that focusing solely on 1 activity causes.

What kind of activity can you do..?
It can a choreography based dance class (contemporary, hip-hop, jazz etc), a cardio dance class, cardio Hi-lo class, a Zumba class or some types martial arts classes.
And if all of the above sound like too much… you can start with something simple and fun straight from Youtube in the privacy of your own home:
https://youtu.be/RzYegenvzRE

Have fun!
Chrisa
P.S: If you do use the video, follow Andy a couple of times, then try to do it without looking at your screen. When you can do the whole thing without taking a glimpse at the video, it is time for a new song!

“Find your passion. Find your love!” Veronica Toumanova

When I asked Veronica Toumanova what would be one phrase that she would like to write on a billboard she said to me:

“Find your passion. Find your love!”¬†

And then added a phrase of the great Eric Franklin:
“In dance the most important technique is the love of dance”

What I loved about my chat with Veronica Toumanova

You know between Toronto and Paris there is a time difference of 6 hours–they are ahead…! We got this chat set up for Sunday morning 8:30am… What you might not know is that I am not a morning person and that it was Greek Easter on Saturday so I got to bed rather early… in the morning…hahaha

If you are now thinking:
Boohoohoo! Poor Chrisa she didn’t get her beauty sleep..!

You are ABSOLUTELY right!
Because this lady gave me so much energy, so much inspiration, so much power and will and love that I am now empowered for months!

That is what I loved about our chat: her passion and her sharing personality, which I am sure all of you who have taken classes with her have already experienced.

So even though this is a bit longer than all the other Tango chats, I want to encourage you to listen to it, it will make time stop!

If you are looking for inspiration, for answers on why you are suffering in the milongas and classes, for how we learn and why you feel like you are progressing too slow and most importantly how you can keep going when the frustrating moments come..? Then I believe you won’t be disappointed.

So, click on the video above and enjoy!

Chat notes:

How you can reach Veronica Toumanova: www.verotango.com
or through Facebook: Veronica Toumanova
or through Tango Mon Amour: http://www.tangomonamour.com

Read her book “Why Tango”:¬†https://www.amazon.com/Why-Tango-learning-dancing-argentino/dp/1517189470

El Corte milonga/ classes/ workshops: http://www.elcorte.com

Eric Franklin: https://franklinmethod.com

 

 

How to become more creative on the dance floor

{Fear} less in the dance floor * Escape the dance of boredom * Be bold be beautiful be YOU

“I want to feel creative, I want to share the moment with my partner… Isn’t that what Tango is really about anyway…?” H

One of my students Mr. H, was really frustrated when he joined Intelligent Tango. During our welcome call, he shared his passion for Tango but also his deep disappointment of how he felt stuck, nervous, and robotic while on the dance floor.

Knowing that Tango is an improvisational dance he was hoping to be “creative and expressive” on the dance floor and able to enjoy his dances with his partner.

This is one of the biggest Tango- pains… Longing for THAT moment of freedom, for when we will be able to just dance, and be ourselves, that never comes…

Why we are not creative on the dance floor?

Most people will say that it is lack of confidence. And that is partly true… I mean, of course the more you dance the more comfortable you will get with it and therefore you will be able to enjoy it more

BUT are you going to be creative, or are you just going to be preforming more moves with ease..?
They are two very different things!

So, lets take a step back and look at the big picture, here for a moment. What do we have..?

We mostly have classes and workshops that are based either on technique or on sequences.
Personally, after having spent a few years teaching sequence-based classes and then switching over to technique-based classes, I came to realize that both are deficient in one of many ways: they are strictly instructional!

Now why is that a problem, you may wonder… we need instruction after all, no?

Yes of course we do!
At the same time though, we need a bridge from instructional, to improvisational, to spontaneous, to creative.
If we as teachers do not provide our students with that bridge they will always feel stuck in the instructional phase.
Even if they know enough sequences that they can put them together and dance a full song, they will still not feel/ be creative.

A bridge between instruction and improvisation

The first step towards improvising, towards creating is noticing

It doesn’t matter if the class is technique or sequence based, as long you start paying attention to how a movement–as it is developing–is changing your body, what it feels like, whether your senses are picking up any feedback.

The second step would be mapping or tracking that experience

It could through a mechanical tracking device…haha… a video camera. Or through a physical tracking device, your own nervous system.
Part of what our nervous system does is to record patterns.
This way you can come back to those experiences, revisit them, and see if you want to build on them or if you want repeat them.

Ok! I am feeling I need to share an example here…
creative walk
by Anais Gomez: https://anaisgomez.deviantart.com/art/Walking-Cycle-thumbnails-556119469

This image above shows us the efficient way to walk, how our body was built to walk.
Notice on the top row¬† right in the middle, how the manikin’s body has a forward intention. The chest is open, the hips are back, the spine is long… Do these remind you of anything..? Tangoooo Class! haha

Notice#1: your body goes through these cues every moment of your day that you happen to take a step
Notice#2: as you are practicing your walks pay attention to all the other positions of transition
Notice#3: get a sense of how it is to walk in the way your body was build to walk
Notice#4: how does it make you feel? And how it affects your dance?

Track#1: instead of trying to confirm the rules of Tango, and what you already know, trust and dive into this with an explorative mind, let every practice make a mark in your unconscious
Track#2: Write down or share your experience with a friend in great detail
Track#3: make videos, look at yourself going through the motion without being judgemental but trying to identify the patterns of movement

How do you know it is working?
If the next time you go in, to practice on your walk, and the first thought that comes to mind is: “Remember yesterday when you did X and your walk felt like Y..?”

When you can ask yourself: Remember yesterday…?
You are on the RIGHT path!
And when you start feeling you actually have the awareness to answer: “YES! Lets explore further”
You are actually progressing towards being creative

What does being creative really mean?

Many people when they hear creative the first word that comes to mind is: FREE!

And I am one of these people..hahaha
But what does being free means?

Free doesn’t mean absence of rules. Being free means you have such a deep knowledge and such a great understanding of the rules, that you can revisit them, you can break them, you can change them and you can create your own.

As the¬†Bonnie Bainbridge Cohen¬†has said in her book “Sensing, feeling and Action”: “Our creativity flows out of our unconscious–an unknown giving birth to knowing as our consciousness listens. Our conscious mind can then discover the form or pattern that emerges from the unfolding of the creative process. The insight into the pattern of the process can further open and expand the awareness of unconscious expression

As you may understand it is a beautiful dialog, between our conscious and unconscious mind. and though it seems abstract and like a long way there, it is TOTALLY worth it!

We can do it together if you want to… the only thing you need to do is to subscribe!

Hope to see you in the Bautanz Community,
Chrisa

P.S: More on getting more creative: The penultimate rules on being more creative– by James Altucher