Tag Archives: tango practica

Buoyancy in Movement

Describing buoyancy is not a straightforward task. It’s something that can be felt or observed in the quality of movement, but putting it into words is challenging. However, if I were to attempt it, I would say it involves a sense of support, fullness, smoothness and confidence.

Last week we were talking about alignment and balance. This week I wanted to share some drills that will allow you to explore buoyancy and observe how it manifests in the person’s body on screen.

Observing Buoyancy

I first wanted to share with two videos that will not only give you some good exercises to work on but also the professionals performing them are inspiring movers that make buoyancy evident, even through video.

  1. Basic Spinal Wave
    Presenting a fantastic video featuring Ido Portal, where he explores movements on the sagittal plane. In this short yet impactful video, you’ll find a step-by-step guide to the spinal wave, followed by a demonstration by Ido himself. This drill can be immensely helpful in rebuilding your posture. Consider also, watching the end first to witness the magical smoothness of his spinal wave, and then follow it up with the step-by-step section. Enjoy the journey!
  2. Building Vitality, Strength, Flexibility, Flow, and Ease through Embodying Our Muscles
    This is a full online class from one of the most charismatic and influential movement professionals, Bonnie Bainbridge Cohen. In this class she explores muscles with us. There is so much more to muscles than resistive exercises and stretching! Muscles have their own inner world and interrelationships that, when explored, open up another way of knowing and experiencing movement. Embodied movement at this level gives us a path to directly connect with the ‘mind’ of our muscles and provides a dynamic foundation for brain-oriented, consciously-directed movement.

Tango focused exercises for you to practice

  1. Back Ochos–ONE powerful drill
    In this video, we’ll be honing in on one essential aspect in our ochos—the spine.
    Sure, movement can be complicated and intricate, but it’s precisely this intricacy that gives it that deceptively simple appearance. By taking it one step at a time, we’ll begin to unravel the complexities, gradually making sense of how all the pieces come together harmoniously. So, let’s focus on the spine and unlock its potential!
  2. Musicality, Breathing and Posture
    This is live online workshop from August of 2022 where we focused on musicality, breathing, and posture. Our mission here is twofold: first, we aim to explore and establish the fundamental relationship between these three themes, and secondly, we want to equip you with the tools to create practice routines that seamlessly combine these different elements.
    When we’re just starting out, it can be challenging to craft a practice session that incorporates multiple themes and also fits into our busy schedules. That’s where this video comes in handy, as it’ll provide you with some valuable insights on how to achieve that balance.

As a side note, all the exercises we used in the last video above were borrowed from the book: “It Takes You to Tango – The Ultimate Guide to Tango Training for Leaders and Followers.” In this book, you’ll discover a wide array of videos supporting two chapters of Tango drills. But that’s not all! You’ll also find helpful tips on defining your level and goals, setting up a schedule, overcoming any barriers that might be hindering your progress, and even learning social skills and milonga etiquette.

Enjoy,

Chrisa

Posture Correction – Upper and Lower Body Coordination

Thank you to everyone who joined us last Sunday for yet another Tango Movement Lab, focusing on posture. I personally had a blast and I hope you did too.

I would also like to express my heartfelt gratitude to those who generously support Bautanz. Every donation means a great deal to us and we are truly appreciative. Thank you for making monetary contributions through our PayPal account.

Today, I have prepared a breakdown of last Sunday’s practice. This way you can focus on the specific sections that you feel you need the most assistance with. Remember, every minute counts! If you don’t have a full hour, take it one section at a time. Without further ado, let’s dive right into it.

Posture Correction – Upper and Lower Body Coordination (Full video)

To effectively correct our posture, it is essential to dedicate time to recognizing our current state, understanding our default posture, and determining our goals. Furthermore, we must perceive posture as a dynamic entity that constantly evolves, breathes, and adapts alongside our movements. An integral aspect of this understanding lies in recognizing the harmonious alignment among the primary volumes of our body—the head, thorax, and pelvis.

  1. Posture Correction Step 1 – Identifying where you are: Minute 7:47 to 10:43
    Before making any adjustments, it is crucial to identify our default posture to establish a starting point. Take your time in this section to enhance your awareness and deepen your understanding of the interplay between the head, shoulders, and hips. Let this exploration help you understand your body’s alignment and relationship within these key areas.
  2. Posture Correction Step 2 – Aligning the 3 volumes of the body: Minute 10:43 to 25:33
    Here we will be working with the horizontal axis to find what we call the “0.0 posture.” This involves exploring the limits of spine flexion and extension and finding the neutral zone. Through this process, we’ll develop a connection between the head, torso, and pelvis that has three important qualities: we feel relaxed, but also ready to move, and we are able to breathe comfortably without any restrictions.
  3. Buoyancy in movement – the Back Fascial line: Minute 25:33 to 47:53 
    In our previous workshop, we went through this exploration, and now we need to revisit it in this context. It’s important because it helps us further explore how the three body volumes coordinate and because it adds a sense of buoyancy to our movement. Plus, it’s where we start to grasp how rotation works in the body.
  4. Tango Drills: Minute 51:00 to 1:04:33
    And, of course, we conclude our practice with Tango-specific drills that give you the opportunity to practice these concepts both with and without a partner.

Please share your thoughts, comments, tango – troubles or light-bulb moments, I would love to read them. Also share all this with friends, dancers or not, if you think they will enjoy it.

Chrisa,

P.S: More on Posture, check out this article.

What do we call balance?

We often say, I need to work on “balance” or “I can’t keep my balance”. And when we actually go ahead to practice we start with standing on 1 foot, maybe doing embellishments with the free leg or coming up on our toes and holding.

Therefore when we say balance, we mean being able to hold ourselves still in a specific position for a long period of time.

Balance Vs Stillness

Creating a hold or simply being still, is that the same as being balanced?
Well… not necessarily! Because we might able to be still but the main volumes of our body may still not be balanced. For example, we might be hunched over, with our hips tilted back and our chin protruding forward. Try it… it is a very common pose! haha

This comes to show that still does not necessarily mean balanced.
So what is balance? Or better yet what are trying to balance?

We are trying to balance the forces running through our body, so that our movement can be efficient and safe. In this context if we actually would like to hold, balancing the 3 main volumes of our body, head, torso and hips, can lead to a comfortable efficient hold instead of a trembling/ troubling structure.

What are the cues that we are in balance, aside from we don’t feel in any key joint such as the hip joint?

  • We feel relaxed but at the same time
  • Ready to move and we also
  • Notice that our breathing is not inhibited and therefore has a comfortable flow.

And what would be the benefit of such an approach?
Aside from creating safer and more efficient movement, it will allow us to be more aware and also it will allow us to focus on balance while moving and not while holding. Holding can helpful and such an approach can help you in creating efficient holding too; however if you are practicing dance it is necessary to practice balance while moving.

This is exactly what we are working on in our latest workshop. Try the recording, and let us know how it went!

Enjoy,

Chrisa

P.S: For more on tips and drills visit our Technique Page

Setting up your own practice

Practice, easier said than done!
What do we focus on? For how long? And how can make it sustainable? Are only a few of the questions that soon pop-up after we decide to set up our own practice.

Let’s say you are taking classes and you also took our workshop last week, so now you have a few things to practice on, but there is no indication of where to start.
There are so many different things you can start with, but which one should you explore first?

In this post, we are going to use the recording of our last workshop to see how you can start setting up your own practice.
So let’s get started!

A practice routine that works

We will use our latest workshop recording as an example to set up our practice routine. However, you can take materials from any of the classes you have attended.

  1. Step #1: Put it on your calendar. If it is not on your calendar, it doesn’t exist. To get started you need to make time in your day for your practice or it is never going to happen. Aim for 10-15 mins if this is your first time practicing on your own or if you haven’t practiced on your own for a long time. This is not about quantity but quality. This time frame is more than enough for someone we is now starting.
  2. Step #2: Start with a dance. You might have noticed that all of our workshops start with a dance. I think it really helps to get our mind and body ready to practice. It allows us to get into the mindset of practice in an enjoyable way and at the same time we are giving ourselves the opportunity to notice where we are that day. Notice any trouble, any holdbacks, any glitches as we gently move with the music.
    If you feel that you need more than one dance, of course you can add that to your routine.
  3. Step #3: Set your element of focus. It might be something you have been working on for some time, or something you discovered through your dance (step #2). Try to be as specific as possible. For example, let’s say you are starting out with: “I need to work on my posture”.
    Ok! What about your posture? Is it to do with balance, movement, anatomy, breathing, efficiency? Try to be specific.
  4. Step #4: Start with what feels as an emergency to you at the moment. Following the example above, all of these elements may sound important and necessary. You will of course capture a few of them in one practice but not all of them. So start with what feels as an emergency to you on that day, knowing that sooner than later you will be exploring the rest.
  5. Step #5: Start where you are. Continuing with the example of posture, in the beginning of the video we are exploring flexion and extension of the spine in order to find the 0.0 posture. When we are working with the placement of the thorax you will hear me say that “you need to start where you are, not where you should be“.
    Start where you are. identify the end of range for flexion and extension. Then shift your focus to the path from one end to the other end. Lastly, notice the middle of that path. Give yourself the opportunity to identify whether your go-to position is helpful or not. And then start exploring other options to find the one that works best for you.
    There is no point trying to replace a habit by forcing a new rule on your body. The body needs time to adjust and a rule is easily forgotten if your body is not given that necessary time. Through movement our body will find way to establish that rule, without force but through understanding and ease.   
  6. Step #6: Record and celebrate your practice. Take notes of what worked and what didn’t so you can come back to it the next time.
    Mark every practice you complete on your calendar. It can be a check-mark, or a smiley face or anything that works for you. Mark though the day as a day that you practiced. And congratulate yourself for having made it. All of this is for encouragement. For when you miss a practice and feel blue. Such days will come!
    Then instead of feeling like you will never be successful in your practice, look at your calendar! You will see all the smiley faces you have there already. Acknowledge the great work and effort you have already put into your practice.
  7. Last but not least, remember “the more the better” is not quite accurate here, especially in the beginning. Start small and grow! Start maybe with 10-15 mins, that would translate to a dance and an exercise. You will see that soon you will grow your practice in time and content.

Enjoy,

Chrisa

P.S: You can find more advise such as this along with a huge list of practice videos in our book “It Takes you to Tango – The Ultimate Guide for Leaders and Followers”

Don’t forget to breathe..!

“Don’t forget to breathe!” I love the absurdity of this phrase..! 
Honestly, how did this become a cue I wonder..? haha
Have you tried to hold your breath through a pose during yoga for example..? Unless you are a very good diver, holding your breath could only last a few torturous seconds and you would definitely know! 

Can we forget to breathe?

You can’t really forget to breathe. Because you don’t need to remember to breathe, you simply, automatically do. If you are holding your breath you also know, it is very clear, intentional and obvious. So what do they mean by that cue?

My take on this is, when we are holding a position or when we are overthinking something our breathing may be inhibited, meaning it might not be as efficient as it could be. As such every action feels effortful, straining and draining.
For example, if you pull your bellybutton in then your ribcage can not expand and move upward with every inhale and so your breathing will be inhibited, your inhales will be shallow and you will feel as if you are holding your breath. 

It is not really therefore that we forget to breathe, but other movement choices may be coming in the way of efficient and effortless breathing thus creating that feeling of a hold of breath.

What can we do to change that?

With this explanation in mind, we can start looking at the movement patterns of breathing and allow for those movement patterns to inform our posture and our movement as a whole. This way our breathing will flow and we will feel supported by the renewed energy of every breath.

To support this approach our cues will also have to change. The cue “don’t forget to breathe” though it might come handy some times, reminding to pause and breathe fully, it is addressing the issue causing the inhibition. It needs therefore to be replaced by a cue addressing posture and movement options. The quality of our breathing can actually be a new cue in it of itself. As you are practicing notice your breathing; are you feeling that your breathing flows effortlessly uninhibited? If not try to find the right adjustment in your posture and movement to free the breath.

Chrisa

P.S: Interested in a breathing and posture workshop, check out this video

P.P.S: Want more posts such as this? Subscribe to join the Bautanz community.

 

Tango a way to tell our story..!

Though this is mainly a Tango and movement practice focused website, today I want to share with you a short personal story.
So after my practice the other day, I was preparing this video for Pro Dancer shoes. At the time I didn’t think much of it. It in the beginning just yet another video only focused on the feet. But things were not as straight forward as I had initially thought.
Let me tell you… It took me 20mins to finish! And it involved a lot of starting and stoping and a bit of frustration of course.

Tango can be frustrating some times..!

Some time had to go by, for me to realize the reason I was getting frustrated. I was focusing so so much on the shoes than on the dance itself.

Let me just show the 1st attempt that I think it is acceptable and so I can actually share it with you. It is not the 1st attempt of that day, it is the 1st acceptable attempt.

The intent was to show case the shoes. The problem is that focusing on that thought I wasn’t really paying attention to anything else. The result is having a feeling of disconnect to the music and my feelings of the dance.

As you can understand, even in this acceptable version frustration is still there and for good reason!

So what did I do?

Well the obvious..! I thought: “ok, forget about the shoes and JUST dance!” 
There was a moment that I actually thought, I am making no progress so there is not much point to this. I should instead simply dance and if something worth sharing comes out of it, then all the better!

Of course, things started getting better, and I actually really enjoyed myself plus the video is pretty good I think. At least it does the job and most importantly I was happier doing it.

Of course this is Tango related but not because it is about a Tango video

So why am I telling you this?

Let’s take shoes out of the story and pick something else. What do you feel uncomfortable with in your dance? The beat, the sequences, the posture, if your partner is going to get bored…? Whatever it is, think about how that issue affects your time in the milonga. Think how it grabs all your focus, and doesn’t let you see anything else. It actually spoils your night!

The thing is, that whatever the issue is, it can’t be solved in the milonga and the more you focus on that you are missing out on everything else!

Especially, for milongas, focus on having a good time! Allow yourself to enjoy your dances, to embrace your partners and get lost in the music! I am sure you have missed that as much as I have.
There is no point missing out for something you can’t possibly do anything about at that moment plus in many cases if you go with flow things get actually a lot better!

Tango a way to tell your story

So to transition to our drills and tips, even these very tips and drills, remember they are here to help and not to become trapping elements for you to stress over when you are dancing in milonga.
Practice, devote time in your practice but also enjoy the fruits of this practice!

Lastly, after sharing all this wisdom.. (haha) only keep the advise if it helps you and if not put it to the side and find what works for you! 😉

Let me know your thoughts in the comments or better yet subscribe to our community and continue the conversation there!

Enjoy,

Chrisa