This is the video from the latest Live Tango practice that we run every week. This week things didn’t go quite as planned… In retrospect nothing terrible happened but I did lose my balance a couple of times and got into show-must-go-on mode! (haha)
Show must go on–when is it useful?
One would think, like I did until today, that especially when you are teaching, dancing in general performing, then there is only one mode, the show-must-go-on mode…
And I can surely agree on certain performance types, such as a dance show, that of course you keep on going. However teaching and practicing, even if it is streaming live, have a different purpose, as during those times we have the opportunity to learn!
So if you notice in the video above there are some imbalances from the beginning of my dance. To which I reacted with stubbornly doing more back ochos, but to no avail. It was only after I slowed things down and then added rebounds that things started actually getting better. However from beginning to end my focus was to keep going and not to take some time to find out why I was off balance.
That of course takes us to nearly the end of the video where there are some more balance issues… Where once more, time is not given to address the issue. So even now that I writing this I can only speculate why I was off balance.
Someone might ask: Well what is the big deal? It only happened once or it happens to everyone or you just kept going… Well it is not really a big deal but more a missed opportunity!
A missed opportunity to figure out what is really wrong
These were moments where I could have paused or I could have at least slowed down.
When we do that we are more able to pay attention, to listen, to stop the fear and the anxiety that are building up and focus on what we are attempting to do. Had I done that, I would have gotten a list of various different things that could have potentially caused the imbalance. However now I got nothing!
So you see what the problem is… Now there is no way to learn from this experience, the opportunity for deeper exploration is lost. Along with it, a step to progress and potentially not being in the same boat again is also lost. In this way I see this as a missed opportunity.
It is a missed opportunity to deepen our understanding, to explore different options and possibly come up with more ideas and variations for exploration. So it is actually a missed opportunity to learn!
My suggestion to you…
If you find yourselves in a similar situation whether it is a one off or a regular case then pause or slow down and try to see if there are different ways to approach whatever it is giving you trouble.
Don’t see it as a moment to push through but an opportunity to go deeper.
That is my suggestion, of course you can decide for yourself how you want to manage those moments while going through one of our other practices for example…haha…which you can find here: https://bautanz.com/online-tango-practice/
P.S: No time for a 30min practice? No worries try out the Tango exercise of the week:
In this week’s Live tango practice, we worked on the suspension created in the embrace. It was an attempt to connect the dots, between the message received through the hands/ arms and the action taken from legs.
Taking the time to yield
I wanted to take the opportunity to explain a bit more in depth the element of suspension, pulse and yielding. These are all words used during this practice and sometimes words don’t communicate in the best of ways what we can communicate through movement.
Let’s start from the latter, yielding, because if we don’t yield we can’t efficiently suspend and create a pulse. Yielding shouldn’t be confused with relaxing or letting go. We are reaching for the ground, the sky, our partner prior to taking action. In that state we are ready to act, but we have already established our connection, our support.
It is that connection and support that we don’t want to loose while moving. Instead we want to carry it along with us as we go. And so the lead and follow shouldn’t be described as press and resist, but more as a coming together, as supporting each other. Therefore the frame needs to be elastic, and absorbent without collapsing though. It is that elasticity, that spring that transfers the message through the arms to the body while keeping us connected.
It is in our anatomy
All of this we see it supported by the human anatomy. Even in the most solid element of our body, the bones, there is moisture, there is fluid and elasticity. One of the contractions our muscles create is actually the elastic recoil. Our breathing has a pulse, a spring in it. We have experience from yielding to the earth, feeling grounded, secure, calm and confident before acting. Or when we immerse ourselves in a conversation with a dear friend where there is a continuous effortless connection. We also have experience of things not happening not efficiently. When we try to lift something without the necessary preparation. Or when we are angry and our movement becomes rigid and out of our control. Also, when we are stressed and not breathing properly.
So we have the experience of yielding, connecting and elasticity. It is indeed in a different context but we still there for us. We can be further explore through Tango and all other dance forms and movement practices.
Leading and Following through the arms
Speaking in Tango terms, I would encourage you to think and practice leading/ following through the arms and not with the arms.
And though it is not easy to explore partnership alone, it is essential. Practicing on your own, allows you to spend time experiencing your body moving and allowing for that experience to inform your knowing. In parallel practicing with a partner is equally important. It has to be though someone who is honest and able to share with you their experience. Still though that doesn’t undermine the importance of your personal practice. If you don’t spent time self-exploring you can’t have a discussion with your partner, you simply adjust to satisfy them. In order to progress, you need to be able to build on solid grounds, grounds of understanding and awareness. Then you can make conscious decisions on how to progress instead of adjustments on the spot.
More resources below… 😉
So if I have inspired you to further explore the embrace here are some extra videos to do so:
How can one-size-fits-all apply in a social dance setting when we all unique in terms of body type, age, fitness, cultural background etc?
A great question!
After our mid-week Tango practice on Wednesday I a question via Youtube that I felt it is an excellent question for us to discuss how different body types can or cannot fit in certain Tango rules; and overall how the one-size-fits-all doesn’t quite work in social dancing.
Following is the video, from our practice and the question right after that, lets see:
“Chrisa, something that no one ever talks about, and I can’t get non fat dancers to understand, are the techniques needed by the fat dancer. Now, I do not use fat as a bad word, I reclaim it, and refuse to make it synonymous with wrong. And also, I need to accommodate my roundness. It is soawkward to be in class, and have an instructor remind me not to swing a hip, not to arch my back, when the real reason I do these things is because of my large belly. When you have substantial thighs, it changes your stance, collection, even the ability to flick a swift secada. I realize this is off topic from your video, but do you have any insights for the fat dancer? Tricks to maintain tango posture when you have extra curves to work around? Thank you <3″ F.L
The truth of the Style Vs The truth of the Dancer
I want to thank again our commenter for this question and dissect the matter in two parts:
Diversity of styles
Biomechanics Vs Tango Style
Diversity of Styles
There is an unavoidable conflict between the truth carried through by the rules for each style and the truth stemming from the dancer’s experience. Of course there are many ways to train dancers to perform and look a certain way, many types of dance achieve that, with ballet being one excellent example. However there are certain expectations to be met by all ballerinas in terms of looks, body structure and analogies. This is why there are certain restrictions apply in terms of age, body type, body shape, fitness etc. That is also why the choice to follow a career as a professional ballet dancer happens very early in one’s life when the body and character are very adaptable to change. That is also why ballet dancers retire at a very early age.
Social Tango is not like that though. Quite the contrary it is dance that is danced by 90 year olds with very different body analogies, with loss in muscle etc etc. So would we say for example that Oscar and Nina are bad dancers?!?! I highly doubt it! See them in this video: https://www.youtube.com/watch?v=YQotX3sFahI
So as I perceive it, a style is a place to start learning but then we have to take into account the the experience of our body. And those two things are equally important and equally true. Everyone of us is unique in some way, and that uniqueness needs space, a lot of space in a social dance.
Biomechanics Vs Tango Style
We can’t judge a style, a style is based mostly on aesthetics. It is a design. A beautiful design but still a design that one person or a group of people came up with based on their personal goals, experiences, expectations and so on. So it wouldn’t be possible nor fair. But we can judge movement based on anatomy and biomechanics. Then each of us can make an informed decision whether you want to pursuit a specific tango style despite the possible strain or risk due to inconguence with anatomy and biomechanics.
So firstly, based on anatomy and specifically the structure of the human skeleton in order to balance the forces going through the joints and to have an effective distribution of weight when standing on two feet, the placement of the feet should be such to support the hips. Having the feet together 100% doesn’t meet that requirement since the pelvis flairs outward. Similarly, the flair of the feet, meaning the turn out, depends on the structure of your hips, how wide or narrow the hips are. So overall some people will have their feet closer together, not though fully connected, than others and also for some people the turn out will be bigger than others.
Walking and biomechanics
Now when we walk our hips are not supposed to be square, they are supposed to swing, it’s scientifically what we call: locomotion. And it is not the only movement happening in our hips when we walk. In fact walking involves the whole body and the more chaotic it feels the more efficient it most likely is. There is the “C” shape movement we talked about in our practice session and there is also a wave in the spine. You can see all of this here:
Can you stop all this from happening ? Sure you can! But why would you? If you actually look a little closer and dig a little deeper, these movements actually help you connect with your partner in much more efficient way..! You can see it in our previous practices here: https://bautanz.com/online-tango-practice/
And of course along with all that goes posture and centre of gravity. Your posture changes depending on what action you wish to perform. As you can see in the video above maintaining a specific upper body position works against your intention to walk forward or backward and would therefore require more muscle work to make it all happen. Lastly our center of gravity, will be different depending on the shapes we create or have in our bodies. It is not a fixed spot and how could it be? By physics that would be impossible.
My suggestion to you
If you have learned Tango now spend some time learning your body through movement. Understand how one thing relates to the other, what kind of relationships they have and what kind of movements they create due to those relationships and structure
Start learning about your body to better dance with/in/through it. Understanding how our body was built to move for me is the number one step to take when you really want to free up your social dance but also when you want to structure your dance training knowing, acknowledging and weighing in the risks you take compared to the choices you have
If you had the opportunity to practice with me on Wednesday you probably noticed that a big part of the class was about this wave-like, this spiral movement our body follows when walking that can help us transition smoothly to ochos.
The spiral as an experience
I wanted to share some extra information on the idea behind this practice and a few extra videos that you can practice with. The idea behind all this is the defining element of the spiral. The spiral is not just some random shape that happens to appear in certain parts of the body. It is not just a shape that allows for efficiency of movement. The spiral is our existence, it is literally our DNA. And DNA being the carrier of hereditary material it is experience! The spiral in this way exists in our every move from our cells to our highest boleos!
Therefore, finding the spiral in your movement, even in the ones that look fairly straight, will heighten your awareness of your movement and it will energize your whole body with it’s vibrancy.
An important characteristic: progressive wholeness
When picturing a spiral of any type, we associate it, and rightfully so, with continuous energy. However, I would like to add to that and say that there is also the element of progressive wholeness A spiral always moves switching between condensing and expanding, with continuous transition between the two and a continuous coexistence. Try to feel the movement through your body when you walk and when you ocho–in the latter it is of course more evident–as a transition and coexistence of condensing and expanding. Instead of thinking how each muscle body part should move try to feel whole. And specifically a wholeness deriving from the continuous flow of the spiral and not through squeezing, pulling, pushing, holding etc.
And so to make it more specific let’s look at our practice. We explored forward and backward ochos feeling how the back and core muscles condense and expand and how one can create a different quality of movement making one or the other action (condensing-expanding) primary. This is an excellent practice to follow if you wish to explore different Tango styles but also if you want to work on expressing yourself better on the music.
We took a musical journey to the past last Wednesday! It was part of of our Mid-week tango practice and this week’s theme was of course musicality. But instead on the beat or the tempo or the rhythm we used the music to explore the history of Argentina and to draw some connecting lines to the Tango we dance today. Of course there is the element of the beat, and being able to recognize and count it; but at the same time we need to look at the music holistically and isolating one element or the other
Quick disclaimer here: No I am not saying the beat is not important and you can ignore it, to express yourself..!hahaha
What could being “musical” mean?
What I would like to encourage you, especially if you are having trouble with finding the beat, when you will be practicing with this video at home, is to refrain from jumping right into dancing. Listen to the different music pieces and try to listen to the historical connection, try to listen to the connecting thread.
The next step would be to visualize. For example one of the videos on the playlist (it is attached below) is from a live candombe performance; there you will notice that the posture of those dancers is very similar to the canyengue posture; leaning slightly forward with the knees bent. But with crisp clear movements. And that perfectly matches the music in both dances.
Then dancing, movement can come into play…not copying but embodying the necessary posture and quality of movement. So to continue with the canyengue example from above, that posture that makes the couple melt in each others arms and towards the ground, it is matched with an earthiness in the music. Something like gravity pulling you to the earth compared to the milonga where you are ready to hop and play and fly. So the music and the posture and the steps are all coordinated to create a unison. You have a network, instead of separate choices that you need to make under the different Tango umbrellas
So I hope this helps and I hope I didn’t complicate things instead of explaining..!haha But we have chats like this every week here at Bautanz, just subscribe to be part of the communnity And if you want to get dancing right away click here: https://bautanz.com/argentine-tango-technique/musicality/
Mid-week Tango… hmmm That means on Wednesday… and you know how Wednesdays can be a total drag… And this Wednesday was not any different, so getting up and ready for Tango was not easy!haha
But I when I got going, things were much much different! And it wasn’t only because I got to move, that definitely helped of course. I think though it was mostly because it gave me a sense of doing something with other human beings. Of sharing something with somebody else at the end of that line.
The new “normal”
So I was talking with this friend and we were saying how in 6 weeks we have found a new “normal” and how it will be very difficult to get back into that old “normal” now for one reason or the other… So normal is clearly something relative and we are probably better off replacing the word with habit, or circumstance or situation… Clearly we are as a species very adaptable, probably much more than any of us expected and so I hope that as long as we stay close especially now that are forced to be apart, we will come together again..!
We will dance together, chat and drink together, play together, fight together…we will find a new normal hopefully more humane and more connected from the old normal
I am not one of those people who will tell embrace this moment, and that this is chance…No I am sorry I don’t see this as a chance at all! But in this limbo state that we are in, feeling frustrated, afraid, unsure taking the time to be together while afar, to be alone-together feels right and empowering
So thank you for being at the other end moving with me, leaving a note or sending an email! And I will make sure to hold the space for you in our live practices and classes to come. So stay tuned because we make these mid-week Tango practices a new normal..! 😉
So if you would like to find the next Mid-week Tango practice, click here: