Tag Archives: tango movement lab

Women in Dance

Last week was the International Women’s Day, on the 8th of March. And so the whole week there were different opportunities to come together and celebrate. One of such opportunities included an all-women’s class, that was actually the spark for this blog post.

Women and Dance

Maybe from the title you expected a blog post on the marvellous women in Tango. But really, I wouldn’t know where to begin. A quick search that I had done solely on female singers in Tango, landed me a huge song list; we played some of those songs during 2 practices actually.

So you can imagine that one post on all the amazing women in Tango, would be nearly impossible, let alone all the amazing women in dance in general.

Instead I thought I should speak about a group of women, that are not particularly well-known and may not even be members of a dance community. Women who don’t dance very often, but when they do, they love it!

But before I get to that story, I wonder if you actually know these women..?
They work very hard, and they take care of their family from the youngest member to the oldest. Some of them are recent immigrants and some were born here in Canada. And some are single mothers while others may have gone through some kind of abuse. You look in their eyes and you see the daily struggle.

Do you know them?
Yeah maybe you do. Maybe some of them sat next to you in the subway, or walked by you down the street. Or maybe you are one them.

What do they have to do with dance, you might wonder?
Well, as I said… when they dance, they love it!
Isn’t that, what we all want? To glow from joy after a dance?
Well that is what they did after our class..!
And maybe to some extent that is what dance is all about.

An all-women’s class

So let’s get to that story. It is an all-women’s class; aka no men. No men doesn’t mean no leaders nor does it mean a follower’s technique class. It only means no males in the class.

The reasons for that are pretty straight forward:

  • Some of the women come from a cultural background where they can’t be in the presence of a male who is not part of their family.
  • A number of women were recovering from abuse that came from a male member of their family.
  • The organizers felt that dance can create a safe and supportive environment for the groups of women mentioned above and all-women’s dance classes are uncommon so adding one more to the community, is always a bonus.

And we get in the class, and we have 2 hours ahead of us, so plenty of time to get to know each other and dance.
We got in a circle, and everyone said their name and shared something with the group. This is an introduction I have learned from Body Mind Centering and Axis Syllabus classes. It is a very good ice breaker and you get to hear the hopes and expectations of each individual in the group.

This time I heard words like: excitement, thrill, shyness, uncertainty, opportunity, doing something different, me-time, taking care of myself.
Take a moment to think what words come to your mind, when you are getting ready for your dance class?

How it all went..!

Then we got into dancing. We introduced a theme, and you know me, I wouldn’t be able to start a class without talking about posture and balance..! haha

Between explorations we played a bit with words. In one of our previous post we had talked about getting lost in translation or using words in an unhelpful way. This time though, words opened up great discussions, such as, what it really means to take care of your body. Or how can movement shape your body and your psychology.

But the best part were the kids..! As I said, there were single moms in the class, so of course they had their kiddies with them. And that group of toddlers was just so enthusiastic, seeing a group of 20 women including their moms, moving, dancing, laughing, maybe crying a little bit..! And the music, oh my, you should have seen those kiddies, how they moved to the songs they loved..!

One of them especially, was sitting at the very edge of the stroller, propped up, eyes wide open and moving to the music almost none stop..! There were a couple moments, when a tiny bit of nagging would bubble up, but mom would turn around and say: “Lies and Propaganda!” (hahaha)
And guess what that actually did the trick..! “Lies and Propaganda” put an immediate end to the nagging… haha

We finished the class with yet another circle and this time the words were more like: thankful, happily exhausted, calm, energized, happy, grateful, longing for more.
What words come to mind when you finish your classes?

I don’t know when I will have a chance to work with these women again, but I am grateful that I got to meet them and I got to see the strength they carry with them and the empowering energy they share with the world. If you were one of them, thank you for being there! If not, I invite you to look for that strength within you, and let it shine!

Chrisa

Dance like a child..!

I always struggled with phrases such as “just dance”, they feel a bit ambiguous. I know what they mean obviously, but they can mean a lot and nothing at the same time. And so I am afraid that creates a wall for people new to the dance community, instead of liberating them. So I thought maybe we can use a different phrase, for example “dance like a child”.

“Just dance”, what does it mean?

To me, the way I understand it and the way I have used it in the past ( with no success), it means without thinking about the rules. Allowing yourself to enjoy the moment of dancing without having to think of what you have to do. Without having any expectations or trying to meet any standards. Maybe I missing something here but I am sure that I am close.

Now the problem is, this is not obvious to someone still learning to dance.
Why? Well I think for a couple of reasons.

If this phrase is used to describe the “warm-up dance” (we will get to this one is a bit), aka if this phrase is used at the beginning of a class or practice; well it is contradicting the reason people are there. People have walked in a class or practice to learn and advance their skill. They are in a completely different mindset compared to “just dance”. Inescapably the instinctual reaction is “I can’t just dance, that is why I am here”.

Secondly, if we are using this phrase in a social setting, such as a milonga, let’s consider the following problem. The amount of time the average person, wishing to adverse their skill, spends in a class/ practise environment far overshadows their dance time. So they are better at think-and-do than just do.

Thirdly, and naturally coming from the other two points, “just dance” is a skill itself. Dancing is a skill but just-dancing is just a little bit of a different skill. Which means it also requires training.

So bottom line, the average person receiving the cue, may understand all the words in “just dance”, may guess the meaning of the phrase but has no idea of how to actually begin to do that. Not to mention that they might not understand the phrase in the same way as it is told. Because you may have a different understanding of “just dance” than me. And as such, I think, we need a better phrase and system to help people build on this skill.

Dance like a child

Dance like a child or move like child, depending on the setting and the type of dance one teaches, can get us out of this little word trap.

Ask anyone, and they will be able to tell you what dance/ move like a child means. They will probably use words like, “freely”, “without limitations”, “carefree”, “not caring about the rules”, “having fun”, “moving around”, “doing whatever they want”, “living the moment”, “expressive” etc. I am sure you can come up with some more of your own. All though easily and securely leading to … enjoying the moment without thinking about the rules or someone watching..!

Which is EXACTLY what we want!

So I would like to invite you to start every practice and if possible every class with such a dance. A dance where you actually dance like a child.
Some teachers already start their class with a dance. And here I have another wording issue… haha
That dance is usually called a “warm up dance”.

Now to some level it is a warm up; your body is getting warm which is necessary for most activities. But I don’t really like the term in this context. Warm up is so fitness oriented, it kind of creates the wrong idea. Maybe we can say a prep dance instead of a warm up dance.

Prep dance, as in preparation dance. We are preparing ourselves, body, mind and spirit, for our class or practice. Which I think, even mentally can create the possibility for us to leave what we already know behind and open a window for new knowledge.

To fun prep dances everyone! Dance like a child!

Chrisa,

P.S: For more tips that go beyond technique check out our Guide: “It Takes You to Tango”

How does this song go? Singing through movement

Singing through movement, has been my latest attempt to explain what “just dance” really means.
It is funny but so many people say just dance but they don’t really know what that means or they can’t even execute themselves.

“Just Dance” Vs…

Usually if you ask someone to explain “just dance” they will start using other equally ambiguous advise, such as without thinking, or like no one is watching, or forget about the rules.

Why is this ambiguous advise?
Well in Tango, but this applies to other dances as well, especially when you are starting out, you need to think. Tango is a fully improvisational dance. That means you are on your own putting one and two together, while connecting with your partner and with the music.

Secondly, it is in a social environment, people who are not dancing, are watching. It doesn’t mean that they are being judgemental, at least not all of them (haha), but they are watching.

Thirdly, every class is on the rules. Technique rules, musicality rules, even rules on how you improvise and put sequences together. So it is very hard to forget them and just dance.

What I mean to say is that we might be fully understanding the meaning of all of these words but we have no plan on how to implement the advise. Which leads to a lot of confusion and frustration on and off the dance floor.

…”Sing through movement”

I am sure you have been in a situation where you are talking about a song you like but suddenly you can’t really remember anything about it. You can’t remember the title, the singer, the orchestra, the lyrics, nothing but only the rhythm. So if you tried to describe it to a friend you would probably say: “You know, it is the one that goes like na, na-na-na, na…”

haha
Well, singing with movement is exactly that. You do the “na, na-na-na, na” only not with sound but with movement. You are using your body to represent the music, as if you were another instrument of the orchestra. In the beginning of your practice, the movement can be small maybe a gentle shift of weight from one foot to the other but truly committed to delivering the music.

Then as you start making steps, stick with this concept. Instead of trying to come up with steps to match the music, practice letting the music move you in the room. We are not looking for elaborate footwork, in fact you can restrict yourself to walking only. The goal is to keep this quality, singing through movement. Making your whole body sing the song and not just your feet trying to execute steps.

Enjoy,

Chrisa

P.S: Here is a practice on musicality if you want to continue working on it.

What do we call balance?

We often say, I need to work on “balance” or “I can’t keep my balance”. And when we actually go ahead to practice we start with standing on 1 foot, maybe doing embellishments with the free leg or coming up on our toes and holding.

Therefore when we say balance, we mean being able to hold ourselves still in a specific position for a long period of time.

Balance Vs Stillness

Creating a hold or simply being still, is that the same as being balanced?
Well… not necessarily! Because we might able to be still but the main volumes of our body may still not be balanced. For example, we might be hunched over, with our hips tilted back and our chin protruding forward. Try it… it is a very common pose! haha

This comes to show that still does not necessarily mean balanced.
So what is balance? Or better yet what are trying to balance?

We are trying to balance the forces running through our body, so that our movement can be efficient and safe. In this context if we actually would like to hold, balancing the 3 main volumes of our body, head, torso and hips, can lead to a comfortable efficient hold instead of a trembling/ troubling structure.

What are the cues that we are in balance, aside from we don’t feel in any key joint such as the hip joint?

  • We feel relaxed but at the same time
  • Ready to move and we also
  • Notice that our breathing is not inhibited and therefore has a comfortable flow.

And what would be the benefit of such an approach?
Aside from creating safer and more efficient movement, it will allow us to be more aware and also it will allow us to focus on balance while moving and not while holding. Holding can helpful and such an approach can help you in creating efficient holding too; however if you are practicing dance it is necessary to practice balance while moving.

This is exactly what we are working on in our latest workshop. Try the recording, and let us know how it went!

Enjoy,

Chrisa

P.S: For more on tips and drills visit our Technique Page

Don’t forget to breathe..!

“Don’t forget to breathe!” I love the absurdity of this phrase..! 
Honestly, how did this become a cue I wonder..? haha
Have you tried to hold your breath through a pose during yoga for example..? Unless you are a very good diver, holding your breath could only last a few torturous seconds and you would definitely know! 

Can we forget to breathe?

You can’t really forget to breathe. Because you don’t need to remember to breathe, you simply, automatically do. If you are holding your breath you also know, it is very clear, intentional and obvious. So what do they mean by that cue?

My take on this is, when we are holding a position or when we are overthinking something our breathing may be inhibited, meaning it might not be as efficient as it could be. As such every action feels effortful, straining and draining.
For example, if you pull your bellybutton in then your ribcage can not expand and move upward with every inhale and so your breathing will be inhibited, your inhales will be shallow and you will feel as if you are holding your breath. 

It is not really therefore that we forget to breathe, but other movement choices may be coming in the way of efficient and effortless breathing thus creating that feeling of a hold of breath.

What can we do to change that?

With this explanation in mind, we can start looking at the movement patterns of breathing and allow for those movement patterns to inform our posture and our movement as a whole. This way our breathing will flow and we will feel supported by the renewed energy of every breath.

To support this approach our cues will also have to change. The cue “don’t forget to breathe” though it might come handy some times, reminding to pause and breathe fully, it is addressing the issue causing the inhibition. It needs therefore to be replaced by a cue addressing posture and movement options. The quality of our breathing can actually be a new cue in it of itself. As you are practicing notice your breathing; are you feeling that your breathing flows effortlessly uninhibited? If not try to find the right adjustment in your posture and movement to free the breath.

Chrisa

P.S: Interested in a breathing and posture workshop, check out this video

P.P.S: Want more posts such as this? Subscribe to join the Bautanz community.

 

Tango a way to tell our story..!

Though this is mainly a Tango and movement practice focused website, today I want to share with you a short personal story.
So after my practice the other day, I was preparing this video for Pro Dancer shoes. At the time I didn’t think much of it. It in the beginning just yet another video only focused on the feet. But things were not as straight forward as I had initially thought.
Let me tell you… It took me 20mins to finish! And it involved a lot of starting and stoping and a bit of frustration of course.

Tango can be frustrating some times..!

Some time had to go by, for me to realize the reason I was getting frustrated. I was focusing so so much on the shoes than on the dance itself.

Let me just show the 1st attempt that I think it is acceptable and so I can actually share it with you. It is not the 1st attempt of that day, it is the 1st acceptable attempt.

The intent was to show case the shoes. The problem is that focusing on that thought I wasn’t really paying attention to anything else. The result is having a feeling of disconnect to the music and my feelings of the dance.

As you can understand, even in this acceptable version frustration is still there and for good reason!

So what did I do?

Well the obvious..! I thought: “ok, forget about the shoes and JUST dance!” 
There was a moment that I actually thought, I am making no progress so there is not much point to this. I should instead simply dance and if something worth sharing comes out of it, then all the better!

Of course, things started getting better, and I actually really enjoyed myself plus the video is pretty good I think. At least it does the job and most importantly I was happier doing it.

Of course this is Tango related but not because it is about a Tango video

So why am I telling you this?

Let’s take shoes out of the story and pick something else. What do you feel uncomfortable with in your dance? The beat, the sequences, the posture, if your partner is going to get bored…? Whatever it is, think about how that issue affects your time in the milonga. Think how it grabs all your focus, and doesn’t let you see anything else. It actually spoils your night!

The thing is, that whatever the issue is, it can’t be solved in the milonga and the more you focus on that you are missing out on everything else!

Especially, for milongas, focus on having a good time! Allow yourself to enjoy your dances, to embrace your partners and get lost in the music! I am sure you have missed that as much as I have.
There is no point missing out for something you can’t possibly do anything about at that moment plus in many cases if you go with flow things get actually a lot better!

Tango a way to tell your story

So to transition to our drills and tips, even these very tips and drills, remember they are here to help and not to become trapping elements for you to stress over when you are dancing in milonga.
Practice, devote time in your practice but also enjoy the fruits of this practice!

Lastly, after sharing all this wisdom.. (haha) only keep the advise if it helps you and if not put it to the side and find what works for you! 😉

Let me know your thoughts in the comments or better yet subscribe to our community and continue the conversation there!

Enjoy,

Chrisa