Many dancers look down on embellishments. They see them as fluff; as something secondary and unimportant.
Today though I will attempt to change their mind by using an embellishment to practice on:
- Effortless movement
- Listening and connecting to our partner
Embellishments that go beyond spicing
The video is heavy on technique tips, tips on how to make this beautiful embellishment fit your dance as seamlessly as possible and tips on how to transfer the details of this experience into the rest of your dance.
So I will grab the opportunity to elaborate more on the hidden message of the video… which is NOT Intelligent Tango…haha… but the relationship that can be created between partners because of this and many other embellishments
When the specific embellishment is successful and spicy, there is a feeling of a slight delay in the pivot. It is not really a delay but a change in rhythm.
Here is why…
The leader drives the pivot BUT it is the follower’s free leg the comes rapping around first and then the actual pivot happens.
So leaders… it feels like your follower is stuck… but THAT stickiness will create the momentum, the power that we want for the embellishment to come to light!
How do we mess this up…
The followers are either exaggerating, slowing the pivot down and/ or they are not using the embrace to let their partner know they want to do something fancy with their feet.
The leaders on the other hand having not received any cue that something different is happening push their partners around because they think they got stuck on the pivot… OR if the follower did communicate her wish to do an embellishment, it is very likely that the leader didn’t hear it…
Tango is a partner’s dance
I heard me say it the beginning of the video as well.
I was thinking of doing a practice on embellishments but I wasn’t really sure which one to choose and how to structure the practice so we get massive knowledge from it.
So when one of my students of Intelligent Tango told how delighted he was by the support built in the program, that was gave me the idea to structure around which I structured the video.
In Tango we are building up a conversation and yet I clearly remember taking women’s technique classes where the teacher would focus almost exclusively on how to keep the action on the feet; how we block what we do with our feet from getting transmitted to our partner.
So we won’t disturb the leader…
You can imagine what happened afterwards right?
Followers trying to do embellishments without giving any indication to the leader that they are attempting an extra movement.
And leaders complaining that they didn’t know where the follower was and that they felt disconnected because of the embellishments
But the followers came back at them with: “You don’t give any time to do an embellishment!”
Unfortunately the leaders are right on this one…
How do expect for someone to give time for an embellishments when they don’t know you want to do one…?
If you don’t communicate with your leaders, they can’t possibly know you even need more time..!
Tango is a partners dance and there is needs to more than I give you the lead and you do it.
There needs to be support and understanding from both ends.
And for that to happen we both need to use the embrace not only to share a message but also listen to what our partner is telling us and provide comfort.
How can we practice on that through this embellishment
- Start with doing simple forward ochos–NO embellishment and notice the rhythm
- Add the embellishment and notice the change in rhythm
- After figuring out the rhythm and the footwork, focus on what the rest of the body is doing
- Do it against the wall and notice how the pressure in your hands is changing
- Use your breath to relax any tension you might be holding
- Practice both plain ochos and ochos with an embellishment with your partner. If you are a follower make sure that you let your leader know you are going to do the embellishment and if you are leader listen for the cue
- Share feedback with your partner and try again
Tango like any dance is based on communication. We all dance to share something with someone. We need therefore to find ways to practice becoming better in listening and in sharing!