Tag Archives: movement culture

Women in Dance

Last week was the International Women’s Day, on the 8th of March. And so the whole week there were different opportunities to come together and celebrate. One of such opportunities included an all-women’s class, that was actually the spark for this blog post.

Women and Dance

Maybe from the title you expected a blog post on the marvellous women in Tango. But really, I wouldn’t know where to begin. A quick search that I had done solely on female singers in Tango, landed me a huge song list; we played some of those songs during 2 practices actually.

So you can imagine that one post on all the amazing women in Tango, would be nearly impossible, let alone all the amazing women in dance in general.

Instead I thought I should speak about a group of women, that are not particularly well-known and may not even be members of a dance community. Women who don’t dance very often, but when they do, they love it!

But before I get to that story, I wonder if you actually know these women..?
They work very hard, and they take care of their family from the youngest member to the oldest. Some of them are recent immigrants and some were born here in Canada. And some are single mothers while others may have gone through some kind of abuse. You look in their eyes and you see the daily struggle.

Do you know them?
Yeah maybe you do. Maybe some of them sat next to you in the subway, or walked by you down the street. Or maybe you are one them.

What do they have to do with dance, you might wonder?
Well, as I said… when they dance, they love it!
Isn’t that, what we all want? To glow from joy after a dance?
Well that is what they did after our class..!
And maybe to some extent that is what dance is all about.

An all-women’s class

So let’s get to that story. It is an all-women’s class; aka no men. No men doesn’t mean no leaders nor does it mean a follower’s technique class. It only means no males in the class.

The reasons for that are pretty straight forward:

  • Some of the women come from a cultural background where they can’t be in the presence of a male who is not part of their family.
  • A number of women were recovering from abuse that came from a male member of their family.
  • The organizers felt that dance can create a safe and supportive environment for the groups of women mentioned above and all-women’s dance classes are uncommon so adding one more to the community, is always a bonus.

And we get in the class, and we have 2 hours ahead of us, so plenty of time to get to know each other and dance.
We got in a circle, and everyone said their name and shared something with the group. This is an introduction I have learned from Body Mind Centering and Axis Syllabus classes. It is a very good ice breaker and you get to hear the hopes and expectations of each individual in the group.

This time I heard words like: excitement, thrill, shyness, uncertainty, opportunity, doing something different, me-time, taking care of myself.
Take a moment to think what words come to your mind, when you are getting ready for your dance class?

How it all went..!

Then we got into dancing. We introduced a theme, and you know me, I wouldn’t be able to start a class without talking about posture and balance..! haha

Between explorations we played a bit with words. In one of our previous post we had talked about getting lost in translation or using words in an unhelpful way. This time though, words opened up great discussions, such as, what it really means to take care of your body. Or how can movement shape your body and your psychology.

But the best part were the kids..! As I said, there were single moms in the class, so of course they had their kiddies with them. And that group of toddlers was just so enthusiastic, seeing a group of 20 women including their moms, moving, dancing, laughing, maybe crying a little bit..! And the music, oh my, you should have seen those kiddies, how they moved to the songs they loved..!

One of them especially, was sitting at the very edge of the stroller, propped up, eyes wide open and moving to the music almost none stop..! There were a couple moments, when a tiny bit of nagging would bubble up, but mom would turn around and say: “Lies and Propaganda!” (hahaha)
And guess what that actually did the trick..! “Lies and Propaganda” put an immediate end to the nagging… haha

We finished the class with yet another circle and this time the words were more like: thankful, happily exhausted, calm, energized, happy, grateful, longing for more.
What words come to mind when you finish your classes?

I don’t know when I will have a chance to work with these women again, but I am grateful that I got to meet them and I got to see the strength they carry with them and the empowering energy they share with the world. If you were one of them, thank you for being there! If not, I invite you to look for that strength within you, and let it shine!

Chrisa

How does this song go? Singing through movement

Singing through movement, has been my latest attempt to explain what “just dance” really means.
It is funny but so many people say just dance but they don’t really know what that means or they can’t even execute themselves.

“Just Dance” Vs…

Usually if you ask someone to explain “just dance” they will start using other equally ambiguous advise, such as without thinking, or like no one is watching, or forget about the rules.

Why is this ambiguous advise?
Well in Tango, but this applies to other dances as well, especially when you are starting out, you need to think. Tango is a fully improvisational dance. That means you are on your own putting one and two together, while connecting with your partner and with the music.

Secondly, it is in a social environment, people who are not dancing, are watching. It doesn’t mean that they are being judgemental, at least not all of them (haha), but they are watching.

Thirdly, every class is on the rules. Technique rules, musicality rules, even rules on how you improvise and put sequences together. So it is very hard to forget them and just dance.

What I mean to say is that we might be fully understanding the meaning of all of these words but we have no plan on how to implement the advise. Which leads to a lot of confusion and frustration on and off the dance floor.

…”Sing through movement”

I am sure you have been in a situation where you are talking about a song you like but suddenly you can’t really remember anything about it. You can’t remember the title, the singer, the orchestra, the lyrics, nothing but only the rhythm. So if you tried to describe it to a friend you would probably say: “You know, it is the one that goes like na, na-na-na, na…”

haha
Well, singing with movement is exactly that. You do the “na, na-na-na, na” only not with sound but with movement. You are using your body to represent the music, as if you were another instrument of the orchestra. In the beginning of your practice, the movement can be small maybe a gentle shift of weight from one foot to the other but truly committed to delivering the music.

Then as you start making steps, stick with this concept. Instead of trying to come up with steps to match the music, practice letting the music move you in the room. We are not looking for elaborate footwork, in fact you can restrict yourself to walking only. The goal is to keep this quality, singing through movement. Making your whole body sing the song and not just your feet trying to execute steps.

Enjoy,

Chrisa

P.S: Here is a practice on musicality if you want to continue working on it.

Defining the comfort zone

If you are in any movement practice I am sure you have heard your teachers encourage you to move past your comfort zone; meaning to challenge yourselves. But how do you know you are in the zone to begin with? How do you know the limits of your comfort? And most importantly what does it take for you to acknowledge discomfort?

Finding the balance between comfort and discomfort

How would you know comfort if you don’t experience discomfort? Also, consider this, how would you begin to define discomfort if discomfort was part of the comfort zone?

If you defining comfort as in not painful, it means that pain is your only indication of discomfort. Discomfort then is part of your comfort zone because you can’t hear all the other signals of discomfort the body is giving you until you reach pain.

Similarly if you think of comfort as easy, as time that there is no challenge, you have made discomfort part of the comfort zone plus you are eliminating the possibility of learning and progressing while not being physically challenged.

Signs of discomfort can be as subtle as inhibited breathing, when you feel as if you are holding your breath. How many times have you been in that situation? I am sure, plenty. Have you ever considered this discomforting? Most likely not.

Picking up all the signals will allow you to be more aware of the boundary between comfort and discomfort. Defining the boundary will then allow you to push past it when you feel ready, when you are comfortable to do so.
Lastly, it will allow you to be more empathetic with other people, more understanding of their situation as you will have a deeper understanding of the different shades of discomfort and how they can appear in the body.

An excellent video that speaks more about this yin-yang relationship and our movement practice, is this video of Ido Portal speaking on mindfulness. It is short but very much to the point and has inspired me to look for balance in my practice and in my approach to movement.

Enjoy,

Chrisa

P.S: Looking for balance? Try out our latest workshop!

What do we call balance?

We often say, I need to work on “balance” or “I can’t keep my balance”. And when we actually go ahead to practice we start with standing on 1 foot, maybe doing embellishments with the free leg or coming up on our toes and holding.

Therefore when we say balance, we mean being able to hold ourselves still in a specific position for a long period of time.

Balance Vs Stillness

Creating a hold or simply being still, is that the same as being balanced?
Well… not necessarily! Because we might able to be still but the main volumes of our body may still not be balanced. For example, we might be hunched over, with our hips tilted back and our chin protruding forward. Try it… it is a very common pose! haha

This comes to show that still does not necessarily mean balanced.
So what is balance? Or better yet what are trying to balance?

We are trying to balance the forces running through our body, so that our movement can be efficient and safe. In this context if we actually would like to hold, balancing the 3 main volumes of our body, head, torso and hips, can lead to a comfortable efficient hold instead of a trembling/ troubling structure.

What are the cues that we are in balance, aside from we don’t feel in any key joint such as the hip joint?

  • We feel relaxed but at the same time
  • Ready to move and we also
  • Notice that our breathing is not inhibited and therefore has a comfortable flow.

And what would be the benefit of such an approach?
Aside from creating safer and more efficient movement, it will allow us to be more aware and also it will allow us to focus on balance while moving and not while holding. Holding can helpful and such an approach can help you in creating efficient holding too; however if you are practicing dance it is necessary to practice balance while moving.

This is exactly what we are working on in our latest workshop. Try the recording, and let us know how it went!

Enjoy,

Chrisa

P.S: For more on tips and drills visit our Technique Page

Active couch potato – Are you one of them?

I love this! Active couch-potatoes! Haha
I found out about this “term” from a member of our community of Bautanz, when during one of our discussions they mentioned this article.

But why is this the title of our newsletter today?
Well one can simply think, well Tango is an activity, therefore if you dance and practice Tango you are not an active couch potato.
And I would agree this is definitely one aspect of it. But there is more to it I think, at least in my experience.

Dancing Vs Going to the gym

Comparing dancing Tango or any dance, to going to the gym there are three things that make dancing special. 

  • One is the social aspect of it, you create something with someone else, it is a joint effort that brings something to life in the moment.
  • Secondly, it is something special because you can’t replicate it, you do it there and then and after that no matter how many times you repeat the action it is never exactly the same.
  • And lastly, even in practice or even if you are dancing in your kitchen there is the pure joy of moving your body simply because you just feel like it. Not because you have to, not because you will get fit, not because it is healthy but just because. Pure joy, created by you in the moment.

There is a lot of value in that, I feel. And it can help us avoid being an active couch potato as well, if we allow for little moments of joy. Dance around, when a song you love comes up. Or when you are doing the laundry or the dishes or while waiting for the kettle to boil.

Create little moments of joy, anytime, anywhere..!

Chrisa

P.S: For more ideas on how to do visit our video library.

Don’t forget to breathe..!

“Don’t forget to breathe!” I love the absurdity of this phrase..! 
Honestly, how did this become a cue I wonder..? haha
Have you tried to hold your breath through a pose during yoga for example..? Unless you are a very good diver, holding your breath could only last a few torturous seconds and you would definitely know! 

Can we forget to breathe?

You can’t really forget to breathe. Because you don’t need to remember to breathe, you simply, automatically do. If you are holding your breath you also know, it is very clear, intentional and obvious. So what do they mean by that cue?

My take on this is, when we are holding a position or when we are overthinking something our breathing may be inhibited, meaning it might not be as efficient as it could be. As such every action feels effortful, straining and draining.
For example, if you pull your bellybutton in then your ribcage can not expand and move upward with every inhale and so your breathing will be inhibited, your inhales will be shallow and you will feel as if you are holding your breath. 

It is not really therefore that we forget to breathe, but other movement choices may be coming in the way of efficient and effortless breathing thus creating that feeling of a hold of breath.

What can we do to change that?

With this explanation in mind, we can start looking at the movement patterns of breathing and allow for those movement patterns to inform our posture and our movement as a whole. This way our breathing will flow and we will feel supported by the renewed energy of every breath.

To support this approach our cues will also have to change. The cue “don’t forget to breathe” though it might come handy some times, reminding to pause and breathe fully, it is addressing the issue causing the inhibition. It needs therefore to be replaced by a cue addressing posture and movement options. The quality of our breathing can actually be a new cue in it of itself. As you are practicing notice your breathing; are you feeling that your breathing flows effortlessly uninhibited? If not try to find the right adjustment in your posture and movement to free the breath.

Chrisa

P.S: Interested in a breathing and posture workshop, check out this video

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