Tag Archives: leaders technique

Music: sensing, feeling and action

“There are many elements involved, all concerned with the perception, decoding and synthesis of sound and time and thus there are many forms of amusia” (…) “A.L Benton distinguishes receptive from interpretive or performance and identifies more than a dozen varieties”
Musicophilia- Tales of Music and the Brain, pg. 106
(https://www.oliversacks.com/books-by-oliver-sacks/musicophilia/)

Based on Oliver Sacks the author of Musicophilia, there are quite a few different musicality trouble. For example, one might experience, rhythm deafness, tone deafness, cultural rhythm deafness, no sense of scale, melody or harmony, pitch discrimination, dystimbria and more…

And that is because music is not just beats per minute…

Starting from the music

Usually what happens is, we go to a class, we learn a bunch of sequences, either to no-music or on a specific song.
Then we go to the milongas but we are not able to perform these same sequences on the music, unless we are lucky enough and that one song that our teacher used in class, is played in the milonga.
That creates a feeling of emptiness, as if we didn’t really dance.

In order to address this issue, we will focus on the music itself first. So go ahead and choose any 4 songs you like, from different orchestras, and start with actively listening, trying to make sense of the music.

Making sense of the music, happens in many ways:

  • through hearing for its beat, tempo, rhythm etc
  • seeing it, usually the timbre of the music is expressed as colour
  • through taste, often times musicians when they talk about pitch they use taste-related words
  • through movement; you might catch yourself tapping your foot, or swinging the arms
  • or you might hum or sing etc

Try initially to just let all of these things happen, and make a note of them. Even if they are distasteful, don’t stop them from happening.
Be simply a witness and not a judge to the process

On a second level, we use movement to become aware of what the music feels like.
Personally, I did this like so:

Use simple, very basic movements that will not trouble you technically, to capture what the music feels like to you.

Initially, you will most likely become aware of your emotions, like feeling sad or happy, and attempt to express them through movement.

After that initial response though, try to look for the words behind those adjectives.
For example, the music might feel like a punch or a gentle touch. It might be like a total collapse or a light hop. Maybe it is epidermic or visceral.

The words will describe, how your body expresses your emotions, for example, sad could be bodily expressed through total collapse, while happy could be a light hop.

Finding the flow of the movement

The previous video will allow to notice your strengths and your weaknesses regarding perceiving and interpreting music.

Have in mind that “No one has all the talents, cognitively or emotionally. Tchaikovsky was keenly aware that his great fertility of melody was not matched by a comparable grasp of musical structure”
Musicophilia- Tales of Music and the Brain, pg. 98

This comes to say that overall we should acknowledge our weakness and bet on our strengths!
And since I am here writing an article on musicality aiming to help anyone who finds him/herself as weak in perceiving and/or interpreting music, I will suggest for this next video, that we focus on something that we all are a bit stronger in; movement; basic Tango movement.

Every move has an optimal rhythm. A rhythm that allows us to perform it efficiently and smoothly. That rhythm needs to match the rhythm of the music, for the movement to make sense, express what the music feels like and create a sense of calmness and confidence.

Taking action

You know when your teacher says: “Don’t think, just do it!”
There is a time to work with consciousness as shown in the videos above and a time when you need to act on things.

On the dance floor there is really no time to think things through, to put your conscious mind to work. On the dance floor it is the time to ACT! And hopefully you have practiced enough for that action to be successful

Sooooo after all this work, I think you deserve an extra night out, on the dance floors allowing yourself to respond, to act on the music!

But if you like more videos on musicality you can look at this page: https://bautanz.com/argentine-tango-technique/musicality/

Enjoy,
Chrisa

P.S: The title is inspired by the wonderful book written by Bonnie Bainbridge Cohen: https://store.burchfieldrose.com/ProductDetails.asp?ProductCode=SFABOOK


Proper Alignment and Improper Alignment

It all started from this short video on Improper Alignment:

Ido Portal, the importance of improper alignment

As Ido Portal says in the video, “improper alignment is a certainty not a possibility.”
Practising therefore for those moments of improper alignment is crucial for our progress but also for our understanding of our body.

Managing the weight transfer

As you can tell from the video when I first introduced this exercise, it was the first step towards better alignment.

Here though I want to invite you to change your focus…instead of looking for the perfect communication path between the different parts of the body, focus on feeling every little tiny bit of your foot; even to the expense of that communication.

For example, see how far out you can take your heels out before you drop to the floor. Notice how that improper alignment makes you feel. Or the reverse how far in you can bring your heels…and again notice how that makes you feel.

Don’t try to fix it! 
Only exaggerate as much as possible without, of course, causing harm to yourselves, and notice, make mental notes of the experience.

A yummy practice for our feet

In this video, we are exploring the limits of our base of our feet. We are creating and playing with improper alignment.

Because if you don’t know where the edge is, what improper alignment feels like. How will you find the centre, a safe place where you can just be without any tension or uncertainty?

And as Ido Portal says there is no proper alignment, but proper preparation… for misalignment.
We can get off balance any second of the day… lets prepare for THAT!

Feet: Alignment and Misalignment

This third video explores transitioning; changing our level, shifting our weight, and moving in space.
Personally, I don’t believe that standing on one leg or doing calf raises endlessly will make your steps steadier, smoother or more powerful and secure.
Becoming aware of the how your feet manage the transition from the right to the left and the front to the back, definitely will though.

Does that mean, that you don’t need to ever to do balance drills again..?
NOPE!
haha
It means that you will have to include them in a more holistic practice, one that focuses on the transition and not solely on the drill itself. One that focuses on improper alignment as a certainty. One that explores the edges and the limits as much as the centre

7 exercises for a more enjoyable twist

Coooome on lets twist again…..Oups different dance…!haha

I haven’t done a don’t-leave-the-gym-yet video in a long time, mostly because I haven’t been to the gym for some time…hmmmm…time to change that though.

Turn, twist and pivot

As you might have already gathered from the introduction… I am not really a regular to the gym…I like doing different activities, including going to the gym but I am not a gym freak…

With that being said, please don’t think of these exercises as the only exercises you will ever need, but as great opportunities.

Opportunities? You might wonder…

Yes opportunities for a multi-layered practice.
On a first level you can just do the exercises for a good workout.
Then on a second level you can trust me that they do actually have something to do with Tango
On a third you will think over each exercise and find the connecting thread with Tango
And on a fourth level you can identify the basic principles underlying the exercises and Tango and start exploring those principles in how your body moves generally
Lastly, on a fifth level you can acknowledge how these practices have changed your understanding of your movement, your body, yourself and your relationship with what is you and what is not you.
Etc…

You see..?

On level 5 the exercises don’t matter but at all, they can be any 7 exercise.
But guess what… level 5 doesn’t matter either if you skip all the other levels

And no no I am going to through the journey cliche at you….
You need action, you need a physical understanding of your body through movement to reach a mental and sensical understanding. We understand ourselves through movement not through mental pictures created by others externally.

So I encourage you to try these out notice what they do to your body and slowly make your way to level 5 and beyond..! But first you just have to do it!Haha

Enjoy,

Chrisa

P.S: If you want more videos like this one you can check: Don’t leave the gym yet