Tag Archives: community

Women in Dance

Last week was the International Women’s Day, on the 8th of March. And so the whole week there were different opportunities to come together and celebrate. One of such opportunities included an all-women’s class, that was actually the spark for this blog post.

Women and Dance

Maybe from the title you expected a blog post on the marvellous women in Tango. But really, I wouldn’t know where to begin. A quick search that I had done solely on female singers in Tango, landed me a huge song list; we played some of those songs during 2 practices actually.

So you can imagine that one post on all the amazing women in Tango, would be nearly impossible, let alone all the amazing women in dance in general.

Instead I thought I should speak about a group of women, that are not particularly well-known and may not even be members of a dance community. Women who don’t dance very often, but when they do, they love it!

But before I get to that story, I wonder if you actually know these women..?
They work very hard, and they take care of their family from the youngest member to the oldest. Some of them are recent immigrants and some were born here in Canada. And some are single mothers while others may have gone through some kind of abuse. You look in their eyes and you see the daily struggle.

Do you know them?
Yeah maybe you do. Maybe some of them sat next to you in the subway, or walked by you down the street. Or maybe you are one them.

What do they have to do with dance, you might wonder?
Well, as I said… when they dance, they love it!
Isn’t that, what we all want? To glow from joy after a dance?
Well that is what they did after our class..!
And maybe to some extent that is what dance is all about.

An all-women’s class

So let’s get to that story. It is an all-women’s class; aka no men. No men doesn’t mean no leaders nor does it mean a follower’s technique class. It only means no males in the class.

The reasons for that are pretty straight forward:

  • Some of the women come from a cultural background where they can’t be in the presence of a male who is not part of their family.
  • A number of women were recovering from abuse that came from a male member of their family.
  • The organizers felt that dance can create a safe and supportive environment for the groups of women mentioned above and all-women’s dance classes are uncommon so adding one more to the community, is always a bonus.

And we get in the class, and we have 2 hours ahead of us, so plenty of time to get to know each other and dance.
We got in a circle, and everyone said their name and shared something with the group. This is an introduction I have learned from Body Mind Centering and Axis Syllabus classes. It is a very good ice breaker and you get to hear the hopes and expectations of each individual in the group.

This time I heard words like: excitement, thrill, shyness, uncertainty, opportunity, doing something different, me-time, taking care of myself.
Take a moment to think what words come to your mind, when you are getting ready for your dance class?

How it all went..!

Then we got into dancing. We introduced a theme, and you know me, I wouldn’t be able to start a class without talking about posture and balance..! haha

Between explorations we played a bit with words. In one of our previous post we had talked about getting lost in translation or using words in an unhelpful way. This time though, words opened up great discussions, such as, what it really means to take care of your body. Or how can movement shape your body and your psychology.

But the best part were the kids..! As I said, there were single moms in the class, so of course they had their kiddies with them. And that group of toddlers was just so enthusiastic, seeing a group of 20 women including their moms, moving, dancing, laughing, maybe crying a little bit..! And the music, oh my, you should have seen those kiddies, how they moved to the songs they loved..!

One of them especially, was sitting at the very edge of the stroller, propped up, eyes wide open and moving to the music almost none stop..! There were a couple moments, when a tiny bit of nagging would bubble up, but mom would turn around and say: “Lies and Propaganda!” (hahaha)
And guess what that actually did the trick..! “Lies and Propaganda” put an immediate end to the nagging… haha

We finished the class with yet another circle and this time the words were more like: thankful, happily exhausted, calm, energized, happy, grateful, longing for more.
What words come to mind when you finish your classes?

I don’t know when I will have a chance to work with these women again, but I am grateful that I got to meet them and I got to see the strength they carry with them and the empowering energy they share with the world. If you were one of them, thank you for being there! If not, I invite you to look for that strength within you, and let it shine!

Chrisa

Dance to share our humanity

Dance, is probably not one of those things your financial advisor would list as something necessary. And generally Art does not appear high in the charts of things we need to survive. And yet history, but also experience, teaches us otherwise. Art brings us close together, allows us to form communities and to identify all as one, strong human nation. And that is very powerful, once we find the courage and grab the opportunity to share our humanity.

Dance to share

All types of dances and all types of art forms have this power, to bring people together. This is why, for example, juntas in the past would burn books, prevent songs from getting produced, ban theatre productions, even stop people from simply getting together for a celebration.

Especially though the forms of art that relate to folk traditions, and Tango is a great example of that, seem to be even stronger because they are created by more people, they are accessible to more people and generally involve more people. And dance itself being a language that involves the body, gives us the opportunity to communicate and relate to one another in a much more direct way, if of course we don’t get lost in translation.

The question though is what exactly do we share? And this, has been a question that I have asked myself many times, because I think it has a lot of layers to it and the answer changes as I grow, in age and in dance.

So at first I was thinking like a special snowflake, that my dance should be showing MY perspective, MY view of Tango, of dance, of the world. (nothing wrong with that by the way)
As time went by though, I noticed that the above grow smaller, along with the need to prove myself. And I was more interested in sharing the moment.
Sharing the moment, though, means coming in to listen and to respond; building a conversation. This conversation will be painted in the colours me and my partner bring in with us. Colours of experience, of memory and of the senses. Colours that we may not even be aware of. And we trust each other, to receive those colours with care. And this is how art grows.

When presenting to an audience, either in performance or in a class, I share my colours with the audience or the students, along with colours I have managed to absorb from predecessors of the art I am representing and the art I am bringing with me. And then that group of people will need to match me with their colours. As I trust them, they need to trust me and their partners. And this is how art grows.

What does it mean to share?

So what does it mean to share? It means to trust and to be vulnerable. Inevitably if you wish for a dance form not to feel foreign to you, you need to be ready to trust and therefore create this fine balance between being vulnerable and setting expectations for your audience, your students, your teachers, your partners. Because if you don’t have expectations from them what are you trusting them with?

And the level of expectation is built along with the trust and grows along with the sharing. “Sharing means caring” as they say. It is a cliche but you know what, cliches are cliches for a reason. Any dance, any art form received with care can become universal, can move the whole world. And it all happens through us, through me and you.

How we get to share?

Well, the first obvious choice, for those of us in dance, is of course to dance. And in more general terms, to participate in the reproduction or the spreading of the art form we are involved in.

But there is also another element. The element known, in the circles of Somatic Dance and Body Mind Centering, as holding the space for our partners. In Tango this happens in the classes when you hold the space for your teacher or your partner to keep exploring certain elements with you.

But also it happens in the milonga. And maybe you have heard many teachers say this, that Tango is not just the steps or the specific patterns; Tango is the music, the history, the community, everything. Tango grows and flourishes in milongas only if the people present, hold the space for it to grow.

Only if the people present are not there, just to do intricate steps on the music, but to be with the music, in their community, being there for their partners on and off the dance floor. When we are not dancing, we are not wasting time, for Tango to grow in our communities we need to hold the space.

The importance of dance and art in general in our lives

Can we live without art? Sure I guess we can. But it would be dreadful and lonely life.

Some people who have been to Buenos Aires, have experienced this holding of the space in some milongas. They come back and are trying to explain how it was magical but they just can’t find the right words. And the truth is, it is not easy to explain the feeling. But if I had to, I would say, it feels secure, grand, and full of possibilities. Possibilities though, that don’t feel out of reach. No, on the contrary they feel so close to you because you have the whole community backing you up. Magical!

So, I have changed my mind… no! we can’t live without art. It would mean forgetting we are human.

What do you think?

Chrisa

Feeling comfortable, what does it truly mean..?

Feeling comfortable, is commonly associated with feeling good and at ease. Specifically in movement when we are saying we are comfortable in a pose or moving through a sequence, we usually mean that we are. not feeling pain or that we’ve generally got it.

Or like last week when looking at balancing the forces running through our body, when we achieve that we can say we are comfortable. Can we though say the same for the journey to achieve balance? Pushing through frustration when things are not working out in our practice. Or even pushing through pain… Would we say that we are comfortable with what practicing entails overall?

I would think not… but we might need to start thinking about comfort in those terms.

Be Comfortable with being human

One of my dear teachers Bonnie Bainbridge Cohen the other day put up a quick post on how feeling comfortable may be misunderstood.

I will only share an excerpt of her post here with you:
“(…) comfort doesn’t mean not having pain. It’s that we are here in our body. And maybe we are totally miserable but we are here.”

You can read the whole post here if you would like. It is short and truly sweet!

Don’t be mistaken I am not suggesting that you simply accept misery and defeat. Quite the contrary, be comfortable with being angry, frustrated, stressed, upset etc…. (you fill in that gap). Once you are comfortable with that feeling you can more clearly decide how you are going to deal with it.

Let’s take a Tango example, though you can apply this to life off the dancefloor as well of course.
Say you are coming back to social dancing after Covid, you are thirsty for Tango, you have just missed so much!
You get to the milonga, and you don’t get to dance much… suddenly the bad memories are crippling in.
Rejection, loneliness, feeling left out… etc.

That moment what do you do?
Do you pep-talk yourself out of it, forcing yourself to feel ok about the situation?
Or do you try to push past it, not to let disappointment kill the night?
Maybe the third choice, the what-did-I-expect-nothing-has-changed type of reaction.

The above reactions do not really allow us to sit with the feeling that is bubbling up. And they are really distractions or leave-for-later options.
So what I am suggesting is that if you are feeling disappointed, rejected, alone etc. feel comfortable with that feeling. Feel comfortable with being upset! It is absolutely ok!
Once comfortable with the feeling itself, you may then see more possible reactions to it that may resolve the issue.

The solution may not be obvious and most likely won’t just pop-up. You might need to step away from the dancefloor, go the bar, just sit and watch or even call it a night. But you would have taken the first step by saying:
“I am upset about this and I am totally comfortable with that. Now let’s resolve this!”

A little challenge to put things to the test

Another way to test your levels of comfort is of course practicing, and especially practicing alone.
Working on the little things, on the subtle things that may though bring huge change to how you move and dance.

Are you comfortable when things are not really working?
Or when you are not getting it?
Are you comfortable with putting in the time but not seeing immediate results?

I invite you to test it out for yourself with this practice on posture!
And if frustration starts building up, which of course it is not my intention, but if it does…allow yourselves to sit with that feeling comfortably!

So you know, this is kind of putting two birds in one nest. Practice for the body and the mind/ spirit!

Enjoy and join us for more by subscribing at our community

Chrisa

Dancers are explorers

Yes yes, you did read that right..! Dancers are explorers!
It doesn’t matter in what type of dance you are in. If you are in any type of dance, in any type of movement practice you are potentially an explorer!

How do we start exploring?

We start our journeys as explorers from the moment we follow this urge to move, to learn about movement. The moment we listen to this inner wish to create and express ourselves through movement. And of course the moment when put ourselves in a vulnerable place and reach out to the other and connect.

This moment in time is probably different for everyone of us, but it is surely before we step in a dance studio. It might even be when we are watching someone else move… who knows!

Thinking back to when you took your first step. All the sensations, feelings and emotions that came up and how you responded to them. This active start of exploring the relationships between the different parts of the body, the music, the other people around us or with us; how all that makes us feel… And I would go as far as to say exploring who we are, as a person, as a human and as part of the world.

We start with a little choreography, then we learn about the music, the culture, the stories, the people, the gossip…
Next we practice and we start discovering other options, we reach out to people who we feel can help, we partner up and practice, exchange ideas, fight with another person… We learn about ourselves, about others, about humans, about history, about it all!

Everything becomes part of that journey

Living an explorer’s life, you must have felt that everything relates to your journey of discovery. Cliches such “Tango is like life” or “Life is a Tango” are cliches for a reason..!

Of course they are not reflective of reality, but they express possibly a common feeling, that of things that seem unrelated but unexpectedly come together to form a thread or network. Without therefore getting too romantically affected (though that is perfectly fine as well) by the cliches above, we can see opportunities for greater explorations

And a greater exploration, another link in the network, seems to be this research conducted by S. Elefante, M. V. Arenillas, S. Jovicic, M. Elefante, C. Black, of the University of Vienna.

It is an article looking at the common threads and the differences between the grand balls of Vienna and the milongas of Buenos Aires, at different time periods and locations, involving different social groups, musical genres, social etiquette, dress code and of course the closing of each event.

Balls and Milongas in Vienna and Buenos Aires: analysis and comparison

Borrowed from the official abstract sent to me by the team: “At the end of this historical journey, we can conclude that what undoubtedly unifies the balls of the past, those of today, and the milongas, is the the common desire of the guests to dance and enjoy. So, let us go back to the message from H. Ferrer and indirectly also from his aunt…‘Let us both dance’. What truly matters is to simply spend a pleasant evening and have fun dancing”

Isn’t it magical!
How our passion for a dance will not only drive us to learn more about a foreign culture but it will also push us to research for any common elements with our own culture. Making us in this way explorers of the world!

😉
Chrisa

P.S: From more become a member of our community and subscribe to Bautanz- Constructing Dance
P.P.S: For similar stories check also: Musicality_A Musical Journey to the past

Art and its place in the online world

I have been thinking the last couple of weeks, as things don’t seem to be heading back to normal, what is the place of Art in this online world.

We can’t go out to dance, we can’t go to museum, theatres, concerts… we are social animals but we are not allowed to share anything anymore. So why keep practicing our hobbies, or pick up new ones?

If we can’t go out have a drink, relax with friends, dance, listen to music, then what is the point of doing dance classes, or taking music lessons? As friend told me over the weekend, isn’t it boring taking Tango lessons without a partner?

Isn’t it boring taking Tango online classes without a partner?

Honestly… I don’t know… maybe it is or if not boring others might find depressing or miserable or pointless.

And that probably applies to any artistic endeavour, that is supposed to be shared with other people. However, I think it does have to do with the focus set by the teachers and by the students. And there are many aspects here I would, probably as many as the teachers and the students… haha

Lets see a few of the pros of online classes:

  • It is a form of activity, and it is good to keep active especially at times of lockdown
  • Along with the above it is an activity, that allows your mind to decompress, so it helps with mental health
  • You have a long lasting passion that you want to keep the fire going even if at these challenging times
  • Tango and all other movement practices, in partners and/or groups rely a lot on personal progress, training and practice along partner/ group practices
  • It is a different way to explore your hobby
  • Opportunity to learn for teachers who are at the other end of the world
  • Or to support the teachers you love at home

Should I keep going? All these are amazing reasons no?

However, I think there is a special place for Tango, for dance, for Art in general in this online world… That reminding us of our humanity.

Art is here to remind us, we are still human

Humans are social animals, so no matter how well you are managing the isolation, we are really meant to thrive through community.

Think of our great accomplishments, as a human kind, all appeared in societies that were blooming. Unique figures in Art, Science etc were supported and came out of strong communities. It is through our communities that we are supported to explore and express our unique strengths.

In this vast, impersonal space of the web, it is hard to find a community and not get lost. It is hard to identify and express your unique strengths when instead of a community you have an ocean of users.

And so I think this is where Tango, dance, Art comes in. Art comes in to create an actual web, an actual network with real connections. A web that can’t replace real life, but can remind us of what it is like to be human aka what it is like to build communities.

Our anatomy actually supports this

The fascinating thing in all of this is how this balance between a singular entity and a community, between the I and the WE, as well as the relationships weaved between the two are supported by our anatomy.

We identify as humans due to our anatomy, we have some common characteristics that makes us all identifiable as humans. However, from the obvious characteristics of our face to our bone shape and DNA we are all unique.

And when we say unique, we mean very different… take a look here: https://paulgrilley.com/bone-photos/
As Paul and Suzee Grilley mention in their post: “These images [included in the post linked above] show the normal variation in human bones. None of them are pathological.”

Different bones, different ranges of motions, different aesthetics, sensations, expressions, experiences.

Let’s learn THAT!

Learn how we are Unique

Learning how each of us is unique, we can be more accepting in the other person’s perspective of things. It is also possible that we are more open and understanding to someone experiencing something different.

We can be more kind and accepting with ourselves. Looking at our teachers, we can now understand that we will never look like them, nobody will!
But we can learn from them how we can be us. We can learn how to express more our unique strengths, body structure, past experience, sensations, emotions, thoughts.

We started working with this theme already last week in our Mid-Week Tango Practice:

And we will continue with this theme through our Online Workshops and Online Classes, with our goal being to allow us to be more us, despite the very challenging situations that might be pushing us to the edge

I hope that in one way or another I will have you with me in this journey so please any thoughts you would like to share send them, I would love to read them! Next stop, Mid-Week Tango Practice on Wednesday

😉
Chrisa

Online dancing in the Covid era

Online dance classes, have filled the web the last couple of months. Great content is shared out there on different platforms and different forms. I couldn’t though resist asking what is the point of this all..? Now, don’t get annoyed, I agree with you..! There a great lot of point in online dancing, in online art sharing, but what is that point exactly?

Remember those good old days when you were just starting Tango and you wanted to know it all? The endless hours spent watching amazing dancers on Youtube. Going to this and that seminar. Getting together with friends to practice and come up with new stuff!

And then finally getting there, at least where you thought there was. Soon after realizing you had missed so many things in the process and had to go back to the beginning.
That then was a tough decision to make! A decision most people make I think…but still that doesn’t make it easy. And I was thinking what was it then that made us all want to start over? Maybe not from zero but still…

Learning is much more fun with friends

All the people I have asked they said it was the community. Not in general the Tango community in their city or town but their community of friends, that kept them going, starting over and doing the trip again. Some communities gave birth to new teachers, new organizers, new performers.

People also noted that once they started losing those connections, they started losing interest in Tango in that intense way. So inevitably the question rises to what will happen now?

This question includes the very important practical issues of dance schools not being able to survive and therefore closing their doors. But also the social issues of loss of a community, of yet another bond.

And so what is the point of learning, of taking online classes when you can’t really share the class with someone in the flesh. When you can’t share what you have learned on a dance floor at least not with an ease of mind…

If being with someone is the thing that makes it all special, then what is the point of learning more when you can’t share?

There is a beautiful point to it all

To be honest I had to stop writing and let this thought sit with me. I wasn’t sure how to articulate the fire that I was feeling. Knowing that just writing “of course there is a point!” wouldn’t be helpful at all.

And as it usually happens, something thankfully came my way, when I took a step back. As I was listening to the radio–yes yes the radio–there was a presentation of a book in Greek titled: “Πανδημία: Τέχνη και Κοινωνία” which translates to: Pandemic: Art and Society. (It is linked here if you speak Greek and would like to read it)

The presenter magically put all those things I had in my mind into some beautiful words!

Art is here, especially in crisis, to enhance the social safety net. There is a collective sentiment of us all being in something together without solely being united around fear.
There is therefore the aspect of listening to the news of any country, in any language and knowing exactly what they are saying aka Covid-second-wave-time-to-hide-again. And there is the aspect of how can we manage our collective fear, which is where Art comes in.

So we are sharing! At this moment we sharing very similar moments, very similar days with every human being of planet earth. The question is do we want to only share the fear or will we share music, dance, photography, film, books, paintings, Art?

Your experience is as important as the information you receive

Art, in any form and in every way that is shared is a necessity, and it is not me saying that, it is actually neuroscientists saying it; “The inestimable quality [of great art] is the opportunity that the brain is offered to give several interpretations, all of them valid (1999, 22f).” Zeki

I use this one quote of the many that one can find in the linked article, because I have experienced this myself. In most of our online classes, during our discussions every student shares a completely different experience. I am not referring to feedback, or comments technical in nature, but observations coming from an informed through experience knowing.

As such our experience is as important, valuable and valid as the information we receive from our teacher, from the artist, from anyone of “authority”.

Especially for music and dance, without any intention to make a distinction of value, consider that, before we are even born we are moving on rhythm.

Aiming to close with that thought; Aside from the findings on benefits of the art to our physical and mental health, especially dance and music are arts deeply related to our becoming.

In that sense therefore it can be soothing, comforting, enlightening, hopeful to dance even if you are connecting online; to listen to music even if it is not a live concert, to paint even if it the outcome sucks…haha. The experience of getting in touch with what is human is what matters. Releasing the mind from the stress and the fear. And most importantly adding a thread to our society’s invisible net that can be there to hold us all

An invitation to dance because it matters

Join me on Wednesday at 12:30pm (Toronto time) on Facebook or Youtube for a mid-week Tango practice. No registration or special invite needed, just hop in… I will make sure we dance as much as possible..!
Wave on the web. Leave a note or comment. Say hello and most importantly move along with me. From whichever part of the world you are joining in

You have probably experienced this common note: “Tango allows me to go anywhere and be amongst people with a common passion!”
We still have that! We are Tangueros and Tangueras! I might not know you and you might not know me… We still have that common passion, Tango so lets dance!

And hey even if you are not dancing Tango, still join us! Move with us, enjoy creating something with your very own hands, feet, heart and mind. If you hate, not a problem try another dance on Thursday! 😉

Chrisa

P.S: Can’t join us? Try a following a recording: Online Tango Practice