Tag Archives: body mind centering

Embrace-Go beyond the push and pull

The embrace is where Tango lives… In all practical ways the Tango is created within and through the embrace.

There is a lot Do(s) and Don’t(s) out there on the embrace, so I was hoping to create more of an opportunity for everyone to explore the different body parts that form the embrace, and bring forward more experiential knowledge than Tango-specific advice

Relationship of the Individual Fingers with the Shoulder Girdle and Ribs

Bonnie Bainbridge Cohen of Body Mind Centering

In this video Bonnie, founder of Body Mind Centering (https://www.bodymindcentering.com) talks about the process of creation and specifically how are hands are created from the pinky to the thumb while at the same time our ribs are formed from top to bottom. She then goes on to explore that relationship.

When I first came across the video, I found it fascinating! It completely changed my understanding of my body in space and my relationships with others.
Everyday we reach and touch with our hands, almost everything around us; multiple times a day we are making a choice whether this touch may or may not be reflected in our posture, our movement, our mood.

Leading and following is what we call these very choices in Tango. In the following video using the exercise Bonnie shared above and adding walks and ochos I am inviting you explore the movement chain through the embrace

This was a…bad…experience

Bad experiences… moments we have sworn never to dance with THAT person again… pain, discomfort, frustration… Yes, I know…some memories can be haunting! We now though have a chance to fix it; or some of it

First, we need to understand where the pain and the discomfort we experience in the embrace comes from; and then hopefully though this video you will know how to avoid putting yourself in unsafe positions and how to mitigate the impact of an improper action coming from your partner

Seeing the big picture of the hug

So the videos above will help you immensely in acknowledging dangerous positions and finding healthier ones for the joints. Also, it will help you recover faster if you are experiencing pain or discomfort after a milonga

What though doesn’t recover as fast as the body–and we know that can be rather slow–is our psychology.
I as many other followers have fallen in the trap of avoiding to dance with anyone new because I didn’t want to risk another sore shoulder or back.
it took a long time before I could trust what my eyes could see, in terms of who is a partner who will “listen” to subtle body cues and adjust his/her position.
So, the issue here is not to simply find the right embrace for you BUT to find the way to be flexible and adjust your position to help yourself and/or your partner. Usually the necessary adjustment is very subtle but it seems huge
The feeling of relief though when you find that sweet spot where your embrace is genuine and your movement is free it is even greater!

Trust your body to find it!

Chrisa

P.S: For more videos such as this, on weekly subscribe to bautanz.com and if you want to organize your own practice at home at your own time maybe you would like to take a look at this: https://bautanz.com/intelligent-tango-programs-and-courses/

A Dance Chat with Mariko Tanabe

I met Mariko Tanabe only a couple of years ago, but a met Body Mind Centering around 10 years ago or maybe more

At that time, it was JUST a cool new thing to learn… and you can imagine what happened when frustration started building.. There were no steps, it was always all improvisational, and slow… and tough..! it like we were always looking for something but without knowing what we were looking for while getting more frustrated in the process… Reminds you of something..? haha
Does any of this have to do with Tango…? (yes…read on..!hah)

The years went by I felt that there more to be discovered, that I hadn’t reached my full potential yet, but I didn’t know how to explore and reach that potential. Thankfully Pablo Veron was in Montreal and I grabbed the opportunity for a private class…

Needless to say the class was amazing..! Of the whole class though there was ONE phrase that changed my Tango-life, “Think about your atlas”…
At that moment, something in mind went: “BOOM! I know what I need to do..!”
As they say though, when the student is ready the teacher will come. And surely enough, Mariko Tanabe was running a workshop in Toronto shortly after. Body Mind Centering was there for me and I  was ready to dive into it!
What I was missing then was not the technique… It was urge, the hunger to explore beyond steps, sequences and technique tips; to discover how the human body was built to move and unlock in this way more efficient and expressive ways to dance.
I would like to extend an invitation
So if you are feeling stuck and you know that you are missing something but you are not sure what that something is. If you want to find ways to make your dances more enjoyable for the body and the mind and to give yourself the opportunity to keep on moving despite any limitations then I think you will enjoy this chat with Mariko Tanabe a lot.
If you would like to take a class with Mariko and you are in Toronto, you are in luck…
https://www.estheryoga.com/application/anatomy-for-yoga-teachers/
If you are in Montreal, you are in even greater luck: https://espritenmouvement.com
Enjoy,
Chrisa
P.S: if you are looking for more chats like this: https://bautanz.com/tango-chatting-dancers-grab-coffee/

Want to Tango for an opportunity to BE yourself? Then..dance the rules

Why are you dancing..?
Let me guess… Mmmmm… For an opportunity to be yourself, to express yourself?

And it is indeed a beautiful opportunity, a safe and colorful way of meeting oneself!But this is exactly where the trouble begins…haha…

If we just wanted to go out and spend time with friends, or be in the milongas just to practice our moves, things would have been pretty straight forward and a lot less stressful and painful.
The fact though that we are looking for ways to “dance like nobody’s watching”, if I may be allowed the cliche… 😉 means that our nights at the milonga mean a lot more

What stops us though from meeting and expressing ourselves, from just dancing?

Simple answer… The RULES!

For most people Tango is a difficult because it has so many rules that make them “(…) get so anxious on the dance floor trying to remember all of them”

So how can we make rules part of our dance so we don’t have to think about them anymore? How can we EMBODY the rules?

Embody…mmmm…such a fancy word..haha… How about we try to make a bit more sense of the word by writing down at least 10 things that come to mind when you think of “embodying”. Ready? GO!

  1. Be yourself..maybe?
  2. ….

Here is my list:

Freedom

Safety

Awareness

Present

In the Moment

Past

Knowledge

Truth

Expression

Unison

Logic

Realization

Ok? So if you have come up with your list which would probably be different than mine, lets see how it works in dancing.

At this point I want to call in an expert on the matter, Bonnie Bainbridge Cohen with excerpt from her book “Sensing, feeling and Action”

“ The process of embodiment is a being, not a doing process, not a thinking process. It is an awareness process in which the guide and witness dissolve into cellular consciousness. (…)
Embodiment is automatic presence, clarity and knowing without having to search for it or pay attention. As they say in Zen, “When you eat, eat. When you sleep, sleep” (…)”

There are 3 steps in the process of embodiment: VIsualization, Somatization and Embodiment.

Visualization is the process by which the brain imagines aspects of the body and, in doing so, informs the body that it (the body) exists. (…)
Somatization is the process by which the kinesthetic (movement), proprioceptive (position), and tactile (touch) sensory systems inform the body that it (the body) exists. (…)
Embodiment is the cells’ awareness of themselves. You let go of your conscious mapping. It is a direct experience, there are no intermediary steps or translation. There is no guide, no witness.
There is the fully known consciousness of the experienced moment initiated from the cells themselves. In this instance, the brain is the last to know. There is complete knowing. There is peaceful comprehension. Out of this embodiment process emerges feeling, thinking, witnessing, understanding. The source of this process is love”

So based on this excerpt does it sounds like you need more Tango classes, more milongas or hours and hours of practice?

Not really, right? Bonnie’s description feels like more natural, more personal, and one that depends more on us and getting close with ourselves and less on others.

So lets do exactly THAT instead:

  1. OBSERVE

    Look for the images that can fuel visualization. Go to milongas not for the dances, but for the images. Observe, try to find the Tango rules in other peoples bodies.
    Before you start to practice on anything, from posture to embellishments, take one moment to visualize what you want your body to do.

  2. Movement, Position and Touch

    You would have to go through the movements noticing not what makes them right, but what makes them feel good.
    Attempt to find that same comfort in different positions. Compare for example the comfort of your posture when simply standing to when you are walking or doing ochos.
    Then go deeper than that and find the “rules” of posture in other positions in your everyday life, in your other activities–like walking to the supermarket.
    Somatic dance is the holistic approach to moving and by becoming 1% better in your everyday life activities, you will become better in your Tango too.
    Lastly touch is extremely important to understand who you are, who the other is and what you are together through movement. So practice on that awareness either with a real partner and with an artificial one–the floor or the wall…

  3. Explore with Love

    Explore your movement for the chance to find yourself no matter how cheesy this may sound to you.
    Embodiment as Bonnie says is experiencing movement initiated from within. Not just doing the proper steps, but allowing for “feeling, thinking, witnessing, understanding” to emerge.
    Creating a practice based on exploring the rules instead of imposing the rules, not only feels more natural and more enjoyable but also it allows to be yourself in practice

  4. Avoid practicing for hours

    It is absolutely pointless!
    As you can gather from the above, locking yourselves up in a room aimlessly going from drill to drill, without any focus or goal, is absolutely pointless and it will actually get you to quit sooner than later.
    Instead build on your ability to stop BEFORE your technique fails you

  5. TRACK all this down

    A quick note, a little video, something to help you when you decide to revisit that day’s practice
    Avoid tracking your progress based on other people’s reactions or feedback alone, and tap into your emotional, mental and psychological state before and after your class/practice or milonga.
    Are you feeling better, stronger, calmer, more focused or more aware? Your body knows better sometimes..!
    You can use metrics as well, like how many of my ochos felt good today? Or how many milongas felt great this month?

  6. Give yourself a BREAK

    When you are dancing, dance! You can’t correct anything on the dance floor
    Allow yourself to make mistakes. Laugh at your mistakes. Enjoy your dances with all their flaws. Dance for the sake of feeling alive, for that very opportunity to be yourself and not for hitting every point on your checklist.
    This will be your only true motivation on practicing again the next day!

Grab the opportunity to BE yourself, you deserve it!

Chrisa