Tag Archives: body and mind

Women in Dance

Last week was the International Women’s Day, on the 8th of March. And so the whole week there were different opportunities to come together and celebrate. One of such opportunities included an all-women’s class, that was actually the spark for this blog post.

Women and Dance

Maybe from the title you expected a blog post on the marvellous women in Tango. But really, I wouldn’t know where to begin. A quick search that I had done solely on female singers in Tango, landed me a huge song list; we played some of those songs during 2 practices actually.

So you can imagine that one post on all the amazing women in Tango, would be nearly impossible, let alone all the amazing women in dance in general.

Instead I thought I should speak about a group of women, that are not particularly well-known and may not even be members of a dance community. Women who don’t dance very often, but when they do, they love it!

But before I get to that story, I wonder if you actually know these women..?
They work very hard, and they take care of their family from the youngest member to the oldest. Some of them are recent immigrants and some were born here in Canada. And some are single mothers while others may have gone through some kind of abuse. You look in their eyes and you see the daily struggle.

Do you know them?
Yeah maybe you do. Maybe some of them sat next to you in the subway, or walked by you down the street. Or maybe you are one them.

What do they have to do with dance, you might wonder?
Well, as I said… when they dance, they love it!
Isn’t that, what we all want? To glow from joy after a dance?
Well that is what they did after our class..!
And maybe to some extent that is what dance is all about.

An all-women’s class

So let’s get to that story. It is an all-women’s class; aka no men. No men doesn’t mean no leaders nor does it mean a follower’s technique class. It only means no males in the class.

The reasons for that are pretty straight forward:

  • Some of the women come from a cultural background where they can’t be in the presence of a male who is not part of their family.
  • A number of women were recovering from abuse that came from a male member of their family.
  • The organizers felt that dance can create a safe and supportive environment for the groups of women mentioned above and all-women’s dance classes are uncommon so adding one more to the community, is always a bonus.

And we get in the class, and we have 2 hours ahead of us, so plenty of time to get to know each other and dance.
We got in a circle, and everyone said their name and shared something with the group. This is an introduction I have learned from Body Mind Centering and Axis Syllabus classes. It is a very good ice breaker and you get to hear the hopes and expectations of each individual in the group.

This time I heard words like: excitement, thrill, shyness, uncertainty, opportunity, doing something different, me-time, taking care of myself.
Take a moment to think what words come to your mind, when you are getting ready for your dance class?

How it all went..!

Then we got into dancing. We introduced a theme, and you know me, I wouldn’t be able to start a class without talking about posture and balance..! haha

Between explorations we played a bit with words. In one of our previous post we had talked about getting lost in translation or using words in an unhelpful way. This time though, words opened up great discussions, such as, what it really means to take care of your body. Or how can movement shape your body and your psychology.

But the best part were the kids..! As I said, there were single moms in the class, so of course they had their kiddies with them. And that group of toddlers was just so enthusiastic, seeing a group of 20 women including their moms, moving, dancing, laughing, maybe crying a little bit..! And the music, oh my, you should have seen those kiddies, how they moved to the songs they loved..!

One of them especially, was sitting at the very edge of the stroller, propped up, eyes wide open and moving to the music almost none stop..! There were a couple moments, when a tiny bit of nagging would bubble up, but mom would turn around and say: “Lies and Propaganda!” (hahaha)
And guess what that actually did the trick..! “Lies and Propaganda” put an immediate end to the nagging… haha

We finished the class with yet another circle and this time the words were more like: thankful, happily exhausted, calm, energized, happy, grateful, longing for more.
What words come to mind when you finish your classes?

I don’t know when I will have a chance to work with these women again, but I am grateful that I got to meet them and I got to see the strength they carry with them and the empowering energy they share with the world. If you were one of them, thank you for being there! If not, I invite you to look for that strength within you, and let it shine!

Chrisa

Dance as an act of kindness

Most of us would never think about taking a dance class as an act of kindness. Think though, for a moment how you got into dance. Maybe you were dancing ever since you were a child. Or perhaps you picked it up at a much older age. Maybe you went with a friend or because you wanted to make new friends. Or possibly to meet a special someone. Whatever your reason was, the decision to learn how to dance was satisfying a need, a personal need.

And that is where it all begins…

Being kind starts with you

Noticing your needs and addressing them is an act of kindness. And it doesn’t even have to be as serious as I am making it sound. Simply, feeling the need to do something fun or something new with other people, and addressing this need by going to a dance class, is an act of kindness.

Same goes with choosing how to learn and how to practice dance. Or in general how to progress in any movement practice. Learning how to respect and listen to your body and tend to its needs is an act of kindness. Understanding when it is time to pause and when it is time push and respecting those limits without feeling like your body is letting you down is an act of kindness.

As we age we need our awareness to grow so that we can still enjoy our life and so that we can keep learning and growing. Can we do what we did 10 or 15 years ago? Somethings certainly not. But consider all those things that turned out to be bad ideas; only you lacked the awareness to know back then. Or what about all those things that you wouldn’t even think of trying out 10 or 15 years ago because you lacked the experience and the imagination. Bottom line, we change. And if we want to keep enjoying life we need to be cognizant of that change and adapt.

Another act of kindness, adapting. And adapting does not mean giving up, it means recognizing your options and identifying moments of opportunity to create more options for yourself.

How dance helps us adapt

I am sure you can now see where all this is going. Dance, teaches you how to adapt and create options. Learn to hug versatility and variety because this is our environment.

So if your practice is not going well one day, take a step back, pause for a second. Every practice is never the same as the one before or the one after it. Maybe you are tired or preoccupied. Can you find a way to keep moving? Is “keep moving” even a good option for you in this moment? If not what could be a good option? Stillness? Ok! You can learn a lot in stillness as well.

See, our movement practice should run on kindness in order for us to progress or we will end up tired battling through every frustrating moment.

And that of course spills into our relationship with our partners. Now you may be working with one specific partner or this can be applied to a social setting, like a milonga, where you may be changing partners. In both cases, but especially in the latter, kindness always wins!

When things don’t work out, think of all the tough moments you have gone through and safely assume that your partner has been through the same. Don’t get judgemental, instead see if you can find or create options for yourself? This might actually be revealing to you. It may show you a different way to approach your dancing. Not simply offering different technique tools but offering THE technique tool!

Which is… Adapting! Or simply put, making do with what you got! A much kinder approach towards yourself and towards your partner.

Try it out next time you practice or go to a milonga, it is actually fun!

Chrisa

P.S: For more writings such as this, that go beyond technique tips, check out our book “It Takes You to Tango”

Tango Misconceptions and how to dance through them

We have shared a lot of practical tips and drills on Tango and that this post can be a bit different and focus on misconceptions about Tango. We will get a chance in this way to exchange thoughts and ideas on things that we thought worked but actually didn’t or vice versa we thought they didn’t work and we realized they worked wonders.

If you have Tango misconception stories, share them with me, either by commenting on this post or by filling out this survey..!

Tango misconceptions and the “one-size-fits-all”

We usually start Tango or any type of dance really, to learn something new, to have fun, to have a social yet productive evening out, to share some time with a friend or partner etc. In general, it is for a social/ fun reason that we get into it. And so we don’t expect to feel stuck, frustrated, tired and like failures…haha…while we are at it..!

There are many reasons why this might have happened and may happen to us, but one of the many reasons, is actually the one size fits all approach that is followed some times in teaching dance in general and Tango in particular.

Now, let’s clarify one thing before we carry on, I am not saying that no rules apply and that everyone should find their own Tango. 
What I am saying is that the way one teaches those rules, whether they are related to a specific Tango style or not, needs to be adaptable to the group and the individuals in that group. 
Every one of us has a different body, different movement habits, a different background and therefore a different understanding of dance and movement. As such we can not be expected to all learn in the same way.

Therefore, when something is presented to us as “this is how it is”, and even worse when body mechanics are thrown into the mix to support purely stylistic rules, it is highly possible that many of us will not be able to work it out in our bodies; or if we do, it might still feel uncomfortable. 

So with all that in mind, lets take a look at our first video on Tango misconceptions where we explore what is actually a stylistic rule compared to body mechanics rule. 

A misconception is not a lie and doesn’t imply complete ignorance..!

Before we carry on, I wanted to add a note here for all of us that might be struggling with a specific element and may now be thinking that they have been let down by their teachers and/ or by themselves.

A misconception is not a lie nor does it imply complete ignorance. A misconception is a different understanding maybe even a misunderstanding. So if you are feeling a bit frustrated now, think that this how we learn, how we progress. We make assumptions, some of them will stand and some will need to be reassessed. This whole process is what brings us to knowledge. So you haven’t wasted your time! On the contrary you have been learning! And most importantly, you have been engaging in something that you are passionate about!

As you will see in our video below, we start with the misconception of ochos being a stand-alone Tango step; but we don’t stop there. We will then see a different perspective, where the ochos are simply “walks in different directions”. We are exploring a different perspective and we are acknowledging the shift from how we were approaching ochos before. This way we are 2 things:

  1. That ochos are really walks and not a special step and
  2. How to learn and progress. In the beginning we see and practice ochos as a stand alone step; that may be necessary to reduce frustration. After a while though we need to reassess and start connecting the dots between walking and ochos, for Tango as a whole to make sense.

Making the healthy choice

Before I let you go, I would like to share 2 insights with the group:

  • When you find that a movement is uncomfortable or even worse painful, take a moment to assess. I know this might sound obvious but it is not really obvious when we are in action. Usually we see other people following through and we think we should push through the discomfort. Take a moment to consider whether this movement is rewarding for you at the moment. The end result may be something you want to work towards; but if you experiencing discomfort, you still haven’t found the right path to get there.
    Misconceptions may be hiding in the end result or in the path or in both. If any part of the movement feels wrong to you, it probably is..!
  • Sometimes progress comes not from practicing Tango itself. It can some from a shift in our understanding of movement in small everyday type of movement habits. 
    Posture is great example! If you introduce in small dosages of mindfulness and awareness on how you carry your body through your everyday life, this will make your day more enjoyable and change your posture in Tango inevitably. It doesn’t apply to every Tango element but it captures a fair bit!

So what Tango misconceptions have you tackled..? Share your great stories with me I would love to hear them! And don’t forget to subscribe for more content such as this

Enjoy,

Chrisa Assis

P.S: Completely unrelated but it will brighten your day… Check out Pro Dancer Shoes, they have an amazing collection for all Tango shoe lovers. I got a pair of my own, I loved it and now I am proudly affiliated with them. Take a look! 😉

An Amateur “of” Tango

Amateur, the lover, the friend. The word goes back to 1784, from the French amateur “one who loves, lover” (16c., restored from Old French ameour), which of course comes from the Latin word amatorem (nominative amator) “lover, friend,” with the agent noun from amatus, past participle of amare “to love” 

Amateur, one who loves…

Isn’t it beautiful? To be able to say I am an amateur Tango dancer and know the love you are expressing!
Lovers of Tango, of Dance and Movement, that is what we are! We are explorers and friends of research and discovery. Not only because we want to be better or feel better while we are dancing but simply because we love to dance, we love Tango!

I am not sure about you but sometimes while we are trying to fix all of the things pointed out to us by our teachers, we get lost. We might lose our target, and think that adjusting successfully to cues meets the goal. Then after a while we realize that such a goal is unattainable, it always shifts since it is actually set by another person. Plus it doesn’t quite speak to the heart… have you noticed that?

Maybe we start and we are excited to see and feel some change but after a while, if we focus solely on fixing and on what needs to be fixed, we start losing interest..! It is actually kinda funny… we recognize we are doing better but that is not enough to keep us going..!

Focus on the love

My invitation to you therefore is to focus on the love itself. Here are some examples of refocusing…
Practice? Reframe to love discovering through motion
Learning new steps? Love creating together

Put your heart to it, feel your whole self is being part of this process not just a mind instructing legs and arms. Love how your arms are holding, how toes are articulating, how your blood is flowing warming your whole body up. Be an Amateur! Enjoy every moment of the process! 🙂

If you are feeling ready, how about we start here: https://youtu.be/h89Muu_GgtM

Enjoy and join us for more by subscribing to our Bautanz community

Chrisa

Our Feet, Tango, Injuries and… the Weather!

See that title..? haha
From feet to Tango, to injuries and all the way to weather… Things that might appear unrelated, sometimes interestingly enough they do connect in this vast network we call the human body. 

Our body responds to everything, in some way… it might be an obvious response or it might be a very subtle one. Leading and following in Tango is actually based on responding…not only from the follower but also from the leader.

Injuries and how to prevent them

After sharing the video above, that was on feet as the foundation of our walk, I received a set of interesting questions/ thoughts. They were around ankle stability and injury and how we can prevent them or be able to live with and dance through them.

To prevent them we need to increase our knowledge and awareness of the human body, so we can make healthier movement choices. Tango allows us to explore that because it is based on walking. Discovering how we were built to walk will help our Tango but will also give us the tools we need to prevent injury, to the extent possible of course.

Accidents do happen though… so what do we do then..?

How can we get to a point where we feel safe and secure in our bodies after being injured? 
Injury may actually be a second chance to learn more about our body. If you need a brace for example learn what it does, and which part of your ankle is it supporting/ replacing. Then explore that area with tenderness and care. You will see that slowly your mind will start creating a map of that joint area. The injury tore the map to pieces and now carefully with massage and subtle movement you can put the pieces of the map together. 
Will that bring the joint back to its initial state?
Well, that depends on the injury of course, it may or it may not. But what it will certainly do is give you the awareness you need to move on that foot; for example give you a clear picture of the range of motion around all axes or of the necessary alignment. You can then make better choices as you are moving/ dancing.

Again, Tango at its bare bones is such a caring dance! You can take it really slow if you like and notice where and when you need to make adjustments as you take a step. And if you have a good partner along with you, you can have immediate feedback on how any of the choices affect your posture, or even your energy/ tension/ connection.

Social Tango or maybe we can say Tango Salon, is not really a dance with special requirements, like for example ballet, unless of course we go into specific Tango styles that focus on creating a specific image. That makes Tango ideal for all ages to enjoy and for everyone of us to become a bit wiser on body mechanics.

Now you probably wonder how is the weather related to feet, injury or Tango..!

Noticing how the weather affects you, is the first step to awareness. Every day can not be the same, so why are so shocked when we actually notice that. If you are feeling stiff because it is cold, then give yourself a bit of time to warm up before you start going about your day. Or if you wake up and you are low in energy and your tone is low, then give yourself some time to bring that tone up. In both examples by the way gentle shaking helps..!

The idea overall is, spend time becoming more aware of YOU..! And to get started you don’t need to do anything else but to notice how your body feels when you wake up every day. Then as your awareness increases you will be able to capture more and more feedback, as you move and as you dance.

Maybe this video on feet and weight transfer trajectory can be the second step…

Enjoy and join us for more by subscribing to our Bautanz community

Chrisa

P.S: If you are wearing heels when you are dancing, check this article out

Ochos should we cross the legs?

Last week we were taking about posture and whether one can/ should maintain a specific body position throughout the dance. Inevitably therefore the conversation turned to ochos and whether we should cross the legs.

Crossing the legs in Tango

Let’s first take a look at what that means exactly in the Tango world. You might already be familiar with the specific movement option, but in case you are not, we are talking about bringing one leg right in line with the other while stepping forward or backwards. We are usually cued to do that to isolate the movement of the torso from that of the hips.

Why do choose to cross the legs?

When we cross the legs we lock the hips and lower spine in position. That creates the impression of the hips being square and parallel to the floor. Also, the upper body appears to have a clean rotation over the lower body with a more sharp disassociation.

What limitations does that movement option have?

This option however has some limitations. First, it limits the side tilt range of the spine. Side tilt, as we will see in the video below is coupled with torsion due to the anatomy of the spine, meaning the two movements always happen together.

Second, due to the side tilt limitation, the angle of the pivot is also limited. You see the bigger the pivot the more necessary the side tilt is. With the hips in a lock the side tilt may happen further up in the spine where it may affect the embrace, create tension in our neck, arms and between the shoulder blades and throw us off balance.

What does that mean physically for us?

From an anatomy perspective there are two important issues with this option. One is the side tilt limitation we talked about above. The second is that we will have sheer of forces running outward to the right and left of each hip joint.

Starting from the latter, when we place one foot in front of the other, then our movement options are at the end of range, for example we are at the end of range for adduction. That creates a feeling of tension or pressure through key joint surfaces, such as the hips and knees.

That is though related to the upper body as well. It limits the options our spine has at diaphragm height in terms of torsion and side tilt. Why is that? Well the reasons are more than one, but it really boils down to the shape and orientation of the joints, the muscles and connective tissue of the human body. 

So would we say this is a movement option that we want to maintain in our vocabulary?

In terms of Tango it can be a stylistic option that creates a very powerful and dynamic impression. However if we are to use it we would need to be aware of the physical limitations and risks which we spoke about above.

From an anatomical point of view it certainly is not the most efficient and healthy option for us. It locks certain parts of the body and that requires a lot more muscle work to pull through an ocho. If we don’t care so much for the Tango style it is better to choose a movement option that allows the whole body to participate in a more efficient way.

Let me know what you think and send me your questions on this matter or any other to do with posture or ochos..!