Tag Archives: best choice for your time & money

Cabeceo– Old school OR a handy Social Skill?

You think cabeceo is uncomfortable? Then you better stay away from this style of speed dating… Shhhh Dating!

Shhh Dating–Bizarre new way of love

No small talk, no jokes to break the ice, not even asking the other person’s name…Silence!

haha
I only recently found out about this but it looks like it hit New York hard back in 2008…

Are you thinking: Why on earth would anyone voluntarily put themselves in such a tough spot?
Well, this what founder, Adam Taffler says in the article: “When you can’t small talk to someone, you connect with them on a much deeper level. It’s very intimate

Does that remind you of something?!?!
The cabeceo of course!

Cabeceo– Old School or a TRUE Tango tradition?

The cabeceo is indeed a Tango tradition… It is also though a red flag for many dancers all around the Tango world.

Haters roll their eyes saying: “Seriously..? This is 2017” while
Lovers, roll their eyes wondering: “Why do I have to go through the very unpleasant process of saying NO when I am not even looking for a dance?”

Hhhmmm… Now both sides do have a strong point..!

Haters are you ready for the path of SHAME?

Haters of cabeceo strongly push forward the fact that we are fast approaching 2018 and therefore we don’t need to ask for permission to get a dance.

You are absolutely right! 2017 is indeed almost over, and that naturally makes you wonder if we still need such an old school approach to our social interaction?

The REAL question though is: Are you ready to hear NO and walk the PATH OF SHAME back to your seat?

I am asking because interestingly enough in this very same group you find people who along with cabeceo they hate small talk, they can’t handle rejection… AND they are wondering: “Can’t we just dance?”

via GIPHY

If you are in this last category, please, prepare an honesty bath, for Christmas!

Cabeceo is not the problem, and you have to admit to yourselves what the real problem is here!

I get it, I was shy too! But shyness, social anxiety, low self- esteem or low confidence will not just go away on their own.
They are social skills and like any other skill if you practice on them, you can get better, and enjoy your milongas way more.

Plus the milonga environment is much safer than a business environment and therefore perfect for working on social skills and confidence

Cabeceo can actually help you, if you want to avoid unwanted interactions or if you want to approach someone if you can’t handle rejection, if you can’t make small talk, and if you feel uncomfortable making the first move.
And eye contact is a skill you use in your everyday life, in your romantic and business relationships

Start your training here, now with me:

For those of you who have really no problems chatting with people or hearing NO, then go ahead, take the cabeceo out, just be civil.
Meaning you might think it is stupid but for other people it is psychological cushion, and you need to allow them that comfort.

Lovers, are you sure you are doing the cabeceo..?

It is funny because one of the most common chat, in the followers’ circles, is on:
“None of the good dancers are asking me to dance, I am always dancing with beginners…” or “I am dancing with the same people all the time”

Can you see what the root of the problem is here?
1 word and 1 phrase are causing the problem: ALWAYS and ALL THE TIME!

haha
I am not joking here, I am dead serious!

If you are spending the biggest part of your night on the dance floor with people you DON’T want to be dancing with, when on earth are you going to make a connection with the people you DO want to be dancing with?

 Cabeceo strategies #1: Stop mindlessly looking around.

That only attracts your friends and others with whom you usually dance OR people who don’t use the cabeceo so they don’t even care whether you are looking around or not

What to do instead:

Laser focus on the people you want to dance with.
If you can’t do that from where are sitting… Change spots!

Find a spot that you can easily make eye contact with the people you want to dance with. Try in every way to be closer to the people you actually want to be dancing with, no matter what your role is in the dance

Cabeceo Strategies #2: Don’t just dance with anybody. Use your time in the milonga to connect and dance with the people you want!

You need to switch your mindset about the milonga if you want richer dance experiences.

More dances DON’T make up for the entrance fee.
BETTER dances, good chats and music appreciation-time on the other hand DO!

Think about it this way, if you paid 15$ as an entrance fee, and you danced all night BUT you HATED half of those dances… Then I am sorry but that is crappy night.
If on the other hand, you paid 15$ and you danced 5 GREAT tandas, you chatted with friends, you met 1 new person, and you relaxed to the beautiful rhythms of Tango… THAT is what you call an awesome night.

Preparation and strategic planning won’t spoil spontaneity

As Phil Cousineau has pointed out in The Art of Pilgrimage: “preparation no more spoils the chance for spontaneity and serendipity than discipline ruins the opportunity for genuine self-expression in sports, acting or the tea ceremony”

You need to find the balance between setting up your options and being optimistically ignorant!

The goal here is not to plan everything to a T, trying to avoid all uncertainty and every surprise, quite the opposite..!
Become aware of your options of milongas in your community and of your options in those milongas–in terms of seating, partners etc. And then let the dance itself take over!

Plan for gaining the confidence that no matter what you will have a good time!

So for example: check out the milonga space–if you haven’t been there before.
Notice the people you want to dance with… where are they sitting, who are they dancing with, are they using the cabeceo–remember there are quite a few haters out there– etc.

Based on all that choose strategically where to sit, who to cabeceo, if/ when you need to go to the bar to chat with a potential partner and then OFF YOU GO!

Every milonga, every tanda, every dance is something special….no 2 are alike!
Use the comfort of a plan to be able to walk in the milonga and go with the flow

Join our community here at Bautanz, get that confidence back!

How have you made your Tango dislikes WORSE?

I was listening to this podcast, this past Friday for the 3rd time…haha…yes I liked it a lot and among many other things I found this little gem question, by Jerry Colonna:

“How have you contributed to your dis-pleasures?” (approximate quote but you get the idea)

Isn’t that an awesome, counter-intuitive question?

Think about it, people usually either ask what we did to make things better or they throw their advice right in our face…

Like the 30th time you had a massive fight with your boyfriend and you ran to a friend furious and complaining, only to see them throw their hands in their air and say: “Enough already why don’t just break up with him?”

Don’t you want to punch them in the face?
Hahaha

Why you should ask yourself that question?

Personally, I loved this question because it makes us realize of unconscious decisions that make us miserable plus it gives us a place to start fixing..!

I translated to Tango like so: What are your Tango dislikes and how have you made them worse?
And look what happened…

Here is what a student and friend left as a comment under this picture on FB:
(…) I dislike the attitude of various students. Ego has no place in Tango in my opinion, its a patient dance about the happenings between steps; not a race, show or exercise but a dance. I’ve seen many many kind beautiful souls give up over a bad experience. I don’t really know how else to describe what i see, its like flashy politeness. That classy private sense of creativity and understanding that was once so captivatingly palpable has started to look shallow.

I’ve made this worse by not being the best dancer i could be;  at times, I’ ve compromised rhythm to create smoother movement and connection but it creates a clutter on the dance floor cultivating a subculture of mediocrity rather than learning better leading. I’ve been known to do flurries of ochos, attempt sacadas from strange positions, shirk away from a suddenly really intimate embrace, and not give the lady room or time to completely transfer onto her steps. And all is considered generally uncaring behavior, uncharacteristic of the Tango. (…)” Boris

See the full answer here: My Tango likes & Tango dislikes and how I’ve made them worse

Isn’t it now so much easier for Boris to progress? Knowing what causes the trouble and how he has messed up?

My Tango dislikes and how I have made them worse
My Tango Dislikes:
  1. It looks like a very mature and serious dance BUT for most of us, it takes a lot of time to reach a true maturity physically and mentally
  2. There is no challenge towards the teachers. Meaning students will hardly ever challenge their teacher. They hear the rules and just do them, without judgement.
  3. There is no challenge for the students, because teachers usually–not all–don’t invite the students to question anything… They don’t pose any questions and they rush to give answers. But that is no way to grow
How I’ve made my Tango dislikes worse:
  1. I have been that student and I have been that teacher
  2. I wasn’t asking my teachers any challenging questions
  3. Assumed that every teacher I’ve had, knew it all
  4. Even the questions I did ask, I wasn’t always fully listening
  5. I didn’t appreciate the teachers who really pushed me
  6. When I practiced I didn’t keep any record of what I did, what worked and what didn’t, for my teachers to have something to work with
  7. I researched at a minimum extent
  8. Pretended I was serious and deep spirited instead of spending REAL time growing my knowledge and feeding my spirit
  9. As a teacher I was afraid of my students getting better than me–NOT consciously of course
  10. I wouldn’t allow myself to face all the things I didn’t know
What I like about Tango:

The fact that it has allowed me to rediscover myself.
My passion for Tango made me push my limits, face my fears, take risks and grow.
It challenges me to become better not for someone else but for ME.

I like Tango because of how it makes me feel on and off the dance floor

How to reverse the damage?

Start from yourself!

Ask yourself these 3 questions:

  • What you like about Tango
  • What you dislike about Tango and
  • How have you made it worse

Be honest with yourself and you will then know EXACTLY how to proceed…

Look at this video for example of me before and after:
3 ways to go from good enough to great and beyond

Also if you have followed this blog or are a subscriber you will know that I share podcasts, articles and videos on various themes that I find inspirational, motivational and helpful for people who want to change and progress

If you have watched videos such as this: Heels Vs Toes
or taken any of my classes you know that I ask more questions than the answers I give…

Lastly, I ASK my teachers and peers questions–better late than never, right? hahaha
https://bautanz.com/2017/10/22/meet-mentor-ermis-karaboulas/

There is still a long way to go BUT the path is bright and clear!

Leave your comments below or send me an email with your thoughts, questions and answers, I would love it if I could help you out!

Best,
Chrisa

 

 

 

 

Dance and the Fear of becoming an advanced dancer

“One of the things I dislike about Tango is that many people settle in routines… I have settled too” J
“I am afraid that if I become a really advanced dancer, I will have nobody to dance with”, M

No no these people are not snobs, quite the contrary…

Translate to: “What if I spend all this time and money and end up dancing the same way?” OR “What is the point of learning new things if I am not going to use them?”
And you will see that you have probably fallen into the same trap!

The fear of becoming a truly advanced dancer

Think of yourself going to your local milonga. You walk in expecting to see familiar faces and looking forward to dancing with dear dance partners.
There are a few people who you love to dance with, because your dances are just amazing. There are others that your dances are fun but not amazing.
And then there is that extra category of people… The really advanced dancers. The dancers you wish danced with you, because they look really spectacular on the dance floor…

Now lets think a few months from now… Say you have taken some more classes and put some hours of practice in.
You are starting to feel more confident. There are all these new things that you have learned and you want to use them during your dance.
Maybe you have learned some new sequences, or you have refined your musicality or technique.

You are now walking in the milonga feeling inspired, in high spirits and with high expectations.
First dance is with a good friend and a good partner… Usually an awesome way to start the night…

But things are not going as you expected…

You are feeling restrained.  Something is off.
Things are working but you are just feeling disconnected. You are trying to use the things you have learned but nothing is working…

This is terrible! And the worst part is that your partner is feeling the same way.

Next tanda no change. Things are just getting worse and worse.
The milonga ends and you feel frustrated: “I took all these classes, I practiced for all this time and for what? What on earth is going on?”

A few milongas go by and bling here is a thought: “Of course I have to adjust my dancing to the level of my partner. Of course nobody is as advanced as I am now”

And down the rabbit hole you go!

via GIPHY

Why this marks the end?

Here are a couple of reasons that you need to pull yourself out of that mindset:

  1. It is not very nice to start with.
    It sounds a bit like you are doing people a favor. Your intention is of a kind and gentle nature but still people might feel you pity them. If they pick up on a vibe like that say bye-bye to those partners.
  2. The above statement might be true when it comes to intricate sequences, musicality games, or demanding routines…But YOUR technique, and how much you are enjoying YOUR movement has nothing to do with your partner–nasty, rude weirdos excluded
  3. It leaves you with no incentive to get any better. If you aren’t going to be using any of the new things you learn then why learn them in the first place, right?
  4. It enhances on the fear of: “What if I spend all this time and this money and end up dancing with same people the exact same way”
  5. It instills the idea that Tango is action-reaction when in fact it is a 2 people coming together to create something beautiful
Stop sabotaging yourself..!
Become the dancer you know you can be

Action Step #1: Change of mindset

Stop counting your level in how many classes, dances, festivals, hours, years you are in…

Action Step #2: Accept the responsibility for being advanced

It is not the years nor the sequences, the embellishments or the number of festivals.
But being able to take responsibility for the overall experience of the dance.

An advanced dancer knows if their dance is bad, why it is bad and what to do to fix it.

In Tango an advanced dancer knows very well that:

  • When things work out it is on THEM
  • But when things DON’T work out it is AGAIN on them

Action Step #3: Go from action-reaction to connect and create

How you connect with someone is a marker to how advanced you actually are.

Beginner way of connecting: My partner pushes and I push back
Advanced
way of connecting: Energy offered, absorbed–>movement created and energy is offered back and absorbed

Leading and following are interrelated at a much higher level than just action-reaction

Action Step #4: You CAN inspire

People are not only inspired by great teachers. They are also inspired by someone who puts in the effort, the time and the courage to push his/her limits and grow to a really advanced dancer.

By “ordinary” people who commit to something they are passionate about. People who want to be great at a hobby because it is valuable time spent on themselves.

You can inspire someone by living a richer–in experiences–life on and off the dance floor!

If you want to be an advanced dancer, we can do it together..!

 

 

 

 

Intelligent Tango– 5min Tango Practice

Intelligent Tango is not only about what you do, but also how you do it and how long you do it for.
We are busy people, and we have limited time
When does that stop being a reason and becomes an excuse?

5min of Intelligent Tango Practice… Are they enough?

Ok! Lets be honest… no of course it is not enough.
It is though a start!

If you sitting at home reading through this thinking what can 5mins do to you… I can ensure you that they will do you a lot more than 0mins!

Firstly, it will get you started
Secondly, it will give you a feeling of accomplishment
Thirdly, you will be able to define what you need to work on
Fourthly, you will get motivated to practice more because you will see results very fast.

A few tips to help you out with setting up your short but intelligent  practice
  1. You don’t have to do as many things as I am doing but I wouldn’t encourage you to do more
  2. You can in fact work on 1 thing. Use for example all your 5mins on posture, or only for walks
  3. Focus on each and every one thing that you are working on.
    On the movement itself but also on all the other smaller movements supporting it.
    Focus on your breathing, to relax any points of tension.
    And lastly, have in mind that you want to be engaged but not tensed
  4. Make sure you have control over your movement
  5. Have also control over what you decide to practice on, instead of hoping from one thing to another randomly
  6. Last but not least, make it about you. Work on things that are important to you, notice your movement with no taboos or do’s and dont’s. Find ways to make this enjoyable and fun.

So with no further a do here is your video:
Intelligent Tango– 5mins Practice

It is simple, fast and sweet! Think about it as the little drop of Tango for your day!

Practice Tango Intelligently! Make your practice an experience

 

Are social skills your #1 Tango pain?

What is your #1 Tango pain?

80% Leaders and followers say balance and posture would be their #1. Interestingly enough social skills follow tightly behind.

What does social Tango pain look like

(Real conversations:)

Him: “I want to dance with better dancers, but they won’t even look my way”
Me: Do you know the people we are talking about?

Him: But, my community is a rather young community (Invisible script#1: I am too old)…I say hello to some of them
Me: Well, why don’t try to  get to know them first. Chat with them without asking them to dance. Good dancers with a nice personality are likely to win over great dancers with an awful personality
Him: But isn’t there an easier way?

Or

Her: I want to be asked by better dancers. I feel like I am invisible to them
Me: Do you know any of them?
Her: Well, I am not a regular here, I feel more comfortable going to X milonga with my group (Invisible script#1: I don’t like to dance with strangers really, I prefer my group)
Me: Then they might not dance with you because they don’t know you.
Her: But they have seen me around (Invisible script#2: They should see me but I can’t approach them)
Me: Why don’t you go over to the bar–where good dancers spend their break–get a drink and say “hi!” to them
Her: Me? No, no I am follower, I can’t ask them to dance
Me:You won’t. You will only say Hi
Her: But I am woman…plus my cultural background(Invisible script#3: I am woman, men should come after me)

Or

Him: I have accepted that I won’t be part of the cool kids group. So I just dance with the people who like dancing with me. (Invisible script#1: It has to do with who you know in the milonga)
Me: Well, have you tried to make a connection with anyone from that group
Him: I was planning to once but feeling, it would end badly for me, I decided against it in the end.
Me: How did you know though that it would end badly for you? You didn’t even speak to the person?
Him: I don’t like rejection…(Invisible script#2: I don’t like to hear no for an answer, so instead of bettering myself I will ignore the other person all together)

Did you notice that all three of them before the even listened to my answer, they stated their hesitation. They set the limit,  supported by an invisible script.

Invisible scripts are the real pain!

Our scripts can be incredibly powerful. We might really WANT to do something–really want to dance with better dancers or be better dancers ourselves–but our invisible scripts get in the way.

This doesn’t happen of course only in Tango, we see it every day unfortunately.

For example, I have this friend who has managed to get fit and loose weight in a short period of time. So people now run to her with the classic question: “OH MY GOD! You look amazing, what did you do?”

When she answered seriously: Diet and working out.
The answer was: “No way. I have been doing that all this time, but nothing, you must have done something drastic. I could never do drastic things, I prefer to stay healthy…”

When she answered in a ridiculous way: Well, I only eat cucumbers for dinner and carrots for lunch
They would come back with something like: “You know… That’s it I don’t really like vegetables”…hahaha

And when she went for the more honest approach: It is a long process to change my life as a whole and better myself.
They just walked away and she manages to remain sane!

Save yourselves NOW for social Tango pain

Personally I think you–we–now have two real options:

  1. You can stick to your invisible scripts, such as:
    “I don’t want to be like one of those losers, who change the way they dress, how they walk and talk. People should like me for who I am” or
    “If I train hard enough, good dancers will recognize me” or
    “I just need some more experience and practice then I can ask better dancers to dance”
    And keep your fingers crossed that your milongas will get better, BUT don’t hold your breath on it.
  2. Start eliminating TODAY those invisible scripts and decapitating labels you have created for yourselves. Realize that talent and technical skills are not enough, but social skills are increasingly important in a SOCIAL event such as a milonga.

I admit, I myself chose Option 1 in the past. It made sense to me plus it is the easiest one. I ended up frustrated with my partners, with organizers, with the community, with the whole tango world. Until I realized, I was mad at myself!
For what?
For not realizing the logical sequence people follow in a milonga, when choosing a partner:
FIRST they dance with their life partners, then with their FRIENDS, then with the people they LIKE and then, if the milonga is still on, with someone new.

So, build on your social skills! Invest in yourself, in your Tango, in your personality.
Become a friend with someone BEFORE you ask them to dance.

Action Step#1: Get rid of labels
Such as:

  • “I am an introvert”: Introvert doesn’t mean, I go to a social event, sit in the corner, all by myself and not talk to anyone
  • “I don’t like rejection”: Nobody does! Learn how to use the cabeceo, to minimize the “NO”s
  • “I am an ALL or NOTHING type”: So you would either wait for a ONE great dance instead of working to change MANY mediocre dance experiences to great
  • “I am too old”: Nothing to do with your age. There are people much older than you, who dance non-stop all around the world
  • “I am a woman”: I am too! I still talk to people.

You get the idea?
Be brutally honest with yourselves, take down those unnecessary labels that are holding you back.

Action Step#2:
Talk to 1 NEW person in your weekend milonga.
Hey! If you are not planning to go to a milonga, sometime soon, talk to someone new in your job, in the cafeteria, as you are waiting for the bus.

The truth is we all want to get better.
We want to be able to go a milonga without having to check who is going to be there.
We want to be able to enter a social event knowing 1 or 2 people and leave knowing almost everyone

Also we know that all this is essential not only to our Tango but to our life in general.
But we still allow those invisible barriers to hold us back.
Start taking those barriers down in a milonga, and enjoy the benefits in your whole life!

-Chrisa

P.S: I found this video by Ramit Sethi extremely helpful. It includes easy scripts for starting a conversation, keeping it going, and politely ending conversations (even with ramblers). Plus, a live social-skills tear-down about how to make small talk, and the powerful concept of the Story Toolbox.

 

 

 

Invest in your Tango- find the BEST Tango teacher for YOU!

SGet 10X more out of classes and workshops by choosing your Tango teachers wisely..!

Last week we took a peek into the world of luxury and I told you how I learned to get pasted my cringing reaction over a 250$ for a private class and tried to figure out how investing in a great Tango teacher makes perfect sense.

Then I asked if you have bought/done something that might be considered a luxury but you still allowed it to yourself.
All the answers were great by the way. I LOVED every single one of them!

Let me share a few here with you:

“I know someone in Montreal that travels regularly to Toronto to take classes (…). My first reaction was that this person was a little extreme, traveling 6 hours in and 6 hours out, on a regular basis, just to take classes… On the other hand as a tango student you have to go for the material you want for yourself and in the end it’s not money wasted. It’s money you’ve invested in yourself.” —Louis

“a $1700 air filter, can actually breathe properly around the place” —Jeremy

“(…)On the class you get the seeds of valuable information and axioms from which you can derive work and knowledge for your tango for months to come.

If the Tango teacher is actually that good and you can afford it, this is not tango hell, but tango heaven.” —Matevž

“(…)I had to pick flights that would get me there at very specific times so I could get back to teach my lessons on time. So overall, the lesson was definitely over the $400 mark. So glad I did that. When it’s worth it, it’s worth it!

(…)I did a $10k training for developing my dance career. That seemed like a crazy expense to a lot of my friends, but I made $3k of it back during the actual 5 day training and easily made the rest back soon afterwards.(…)
I think investment/value in total is the important aspect I think about. Some things might be worth the money but not the time or vice versa. These were all worth both the money and the time by a long shot.”–Andrew

“There have been many times that traveled to Athens from my home town for one milonga. When you love something, you pay with no second thoughts (…)” —Minas

What do you notice about these comments?

This is what I notice:

  • “You pay with no second thoughts”
  • “worth both the money and the time by a long shot”
  • “when it’s worth it, it’s worth it”
  • “it’s not money wasted. It is money you’ve invested in yourself”

So, do you see? When we actually experience luxuries, we see how amazing it feels! We realize that luxury it is not just for some snobbish, arrogant, high-end, out-of-this world person..
And if it is about something you really love, you don’t even consider it a luxury…you just allow it to yourself, preferring to cut on things you don’t really like..!

I also noticed, though, that nobody–No, wait!I am lying! There was actually ONE person–said that their luxury was, paying for grad school.

OOooh! Yes! Right…You remembered that one now, didn’t you? haha

Why though isn’t it, the first thing that comes to mind?
Simply, because it is something you know you are going to pay for, plus we consider it a necessity, a matter almost of survival, NOT a luxury, even if you can’t really afford it, you will find a way.

SO LET’S SEE HOW YOU CAN MANAGE YOUR TANGO CHOICES TO FULLY BENEFIT FROM THEM AND NEVER REGRET THEM!

TANGO LUXURY RULE #1: FUNCTIONAL
Like grad school, or great air filters, you will hopefully reach a PIVOTAL point in your Tango where you will need to make the leap to the next level. At that level, where every extension counts, every breath makes a difference. A level, where you can dance with anyone, anywhere, of any Tango style and of any level and still be amazing, instead of frustrated.
To get there you will need to shift your perspective from simply learning to Tango to actually understanding and dancing Tango.
When Veron asked me what I wanted to work on I told him: “I want to become a more active follower”
Why? Because I NEEDED to extend myself to a different level, to broaden my understanding and knowledge. Not only for myself but for my students as well!

This is something ALL high end professionals train and retrain, not only because they love what they do, or because they want to be the BEST. But because they need to change, they need to evolve, they need to feel they are getting better and better.
Inspired by them, we need to shift our perspective from being JUST a student to becoming a dancer.
Will that happen in your first year of learning Tango? NO!
But does it mean that only professionals go through it? Absolutely not!
And when you get there, you will need the right teacher.

TANGO LUXURY RULE #2: ECONOMICAL
It was funny, in one of your messages, you were trying to economically explain to me, how each Tango teacher charges, depending on the market, how the currency makes a huge difference and all that…
Thank you truly!
But I stopped making excuses for myself, knowing that I NEEDED a class like that, knowing that it would be the best choice at the best time.
That class opened a path of further improvement for me. Until this time–ONE year later–I am still going back to that class during my daily practice routine, revisiting specific elements. Plus, I got more privates for myself sharing the knowledge he shared with me.
So economically, it makes sense…Instead of doing multiple cheaper privates, you do ONE expensive private that will shake your Tango world!

You can go by life buying cheaper clothes, cheaper shoes, cheaper watches, cheaper EVERYTHING, everything disposable…BUT the question is when you get the chance to shift your perspective to getting-and-keeping-forever WHAT WILL YOU DO?

TANGO LUXURY RULE #3: THE RIGHT PERSON
Thankfully, we do NOT choose people only based on price–maybe in the past, but not anymore…haha
Most of the times it has to do with finding the RIGHT person!

Where were we in our story..?
Oh, yes…
Me: “I want to be a more active follower” and
Him: “Ok!”

I have to admit I panicked there a bit…so I added, just to be on the safe side:
“I am not talking about technique…”

He  looked up from his iPod and without missing a beat he said: “I know!”
Me thinking: “THIS IS IT! This is going to be an amazing class!”
The Right Person at the Right Time!

The Best Tango Teacher for YOU!

Get 10X more out of your classes and workshops by choosing the right Tango teacher for you.
No more time to be wasted!
Choose the BEST Tango teacher for you, make every minute of every class count, following the guide below:

Find the BEST Tango teacher for YOU! (Full guide PDF)

-Chrisa

An Inspiring Tango teacher

Photo credit: denise carbonell via Foter.com / CC BY