Tag Archives: alignment

Tango Technique made Fun; Embellishments

Embellishments…hmmm… for some an absolute no-no and for others a must- have!
The good thing about this article is that whether you will use the embellishments in your dance is completely irrelevant…

How embellishments can shape your practice

Especially one of the embellishments that I chose can NOT be done in a milonga. It is the kind of embellishment, you can only do if you show up really early or leave really late.

We will by-pass therefore the debate on the appropriateness of embellishments and we will focus on what we can learn from them, if we let them shape our practice

Aside from the obvious first step; of figuring out how to actually do the embellishment, here are the next levels we can take our practice to:

  • Exploring the balance between tension and relaxation. To do an embellishment, you need to free the “free” leg of any unnecessary tension that will slow it down.
  • Becoming aware of our body position. How does our posture need to change, so we can spare that leg, and still feel good, confident and strong
  • And timing. When is the right time to start the embellishment, and when should it end. How can we transition smoothly into the next step

These are the key elements we will be focusing on in this article. If you can of any more leave a comment below, to start up a chat..!

Relaxation Vs Tension

In this first video, we are focusing more on the first two pointers, from the list above.
We start by relaxing the legs and the arms. And our goal is to keep them relaxed as we gradually create tension in the core.
When we make our way to standing, we shift our focus to body alignment. How do shift the body to allow for one leg to move freely in space?

Becoming aware, of the balance points available to us and the lines of alignment being formed in our bodies, we can create freedom and power without jeopardizing balance and strength.

Embellishments in their purest form

In this video, the second one of the series, we are getting more and more analytical, with our movement. We are breaking the embellishments down to movement blocks and we take each one and create an exercise around it.

This helps us dive a bit deeper into all the elements on our list, even timing… As we begin to notice where and when the movement starts in our body and where and when it ends.

Perfect timing

And last but not least, a video that focuses on body position and timing.

When our body is positioned properly, we are ready to act, that is quite obvious. What is not obvious is the opposite… being aware of time and opportunity to act. Timing therefore and body position are intimately tied together. We need to be ready WHEN the opportune moment comes our way.

Practice smart, might mean, work on embellishments

Maybe you think embellishments are a waste of time. That they won’t let you focus on what truly matters. And that they are superficial unnecessary elements, that most dancers tend to use when their technique is in fact poor.

I don’t blame you, I believed all that myself and still do to some extent. I would like though to invite you to see embellishments, for what they are. Off the dance floor and outside the dance studios, they are nothing more than movements. And we can be taught from any movement as simple or as complicated it may be.

And if you want to keep practicing smart with movements then visit this page: https://bautanz.com/argentine-tango-technique/tango-technique-workout/

But if you don’t want to wait for the next video and you want set your practice now then this link is more appropriate: https://bautanz.com/intelligent-tango-programs-and-courses/

Till next time, tango on! 😉

Chrisa

10min Tango practice on leg strengthening, alignment and side steps

Okay! Now there is tip-heavy video coming up on leg strengthening and alignment so I don’t want to take time here to give more tips instead I would like to use this space to suggest a few Practice combos; a few other videos that could work extremely well with this newer video so you can grow your practice

First things first though… Your video for the week…

10min Tango practice on legs, alignment and side steps

Sometimes 10 minutes are more than enough.
Especially when you are starting to build your individual practice it is better to start small and expand steadily as the time goes by.
Why?
Simply, because you are still unsure of what you need to work on, what you should focus on, what your strengths are, what you should invest more time in and how…

You also need to consider this: if you START with a 1 hour practice where are going to go from there?
How will you grow beyond that, when your body and mind starts asking for more..?

When you are building your practice therefore you need to make sure that your short-term goals are not shadowing your long-term goals.

If though you are ready to invest a bit more time here are few directions you can take your practice towards…

1. Focusing on leg strengthening and balance

Add on the video we were working from 2 weeks ago if you want to work more on leg strengthening and establishing a stronger base:

10min Tango Practice on legs and balance

2. Focusing on biomechanics–how our body was built to work

Many of the tips in our video for this week have to do with how our legs move inside our hips and our hips move around our legs.
Understanding anatomy through movement not only will give you greater freedom when you dance/ move but it will also allow you to get to know your body and yourself better.

So if you want to take it into that direction, you can add this video along:

Followed by this video:

3. Making it a well-rounded practice

Depending how much time you have and how much time you can spend on your Tango during the week, you can schedule your practices in two ways:

  1. Every day you focus on something different, ex: one day on legs and balance and the other on ochos
  2. You only practice a couple times a week and so you need to work on all the fundamentals in one go, ex:
    A 20min Tango practice on posture, walks and ochos
4. Focusing on musicality

You can even take this into musicality. Technique and musicality are not at all separate. Aside from the obvious connection–aka the stronger your technique is the easier it will be to focus on the music–there is a more physical connection as well.

How you step, how you twist, how you hold your body and overall how you move will allow you to express yourself differently on the music.
Therefore after this week’s leg strengthening video can do this one:

And then this one:

It all started with leg strengthening…. But you have many choices

We started with a video on legs and alignment and look at where we are now..! haha

You have so many options, the above are only a few examples of the plethora of options that you have.
It all depends on what you want to focus on, what are your strengths and what are shortcomings.
No option is better from the other. All of them have something equally important and interesting to offer you. So it is really up to you where you want to take this!

And that is the beauty of Tango overall..!
You start with leg strengthening but from there you can grow in many many different directions all of which will make you a much better dancer and most importantly a better human.

If you decide it is worth investing your time in moving better on and off the dance floor, Tango is a great dance for that. It is heavy on technique and it throws in your face the question:

Do you want to Tango only for fun OR do you want the opportunity to move freely, get to know your body and yourself better and even become happier?

If you want the latter you should also check this out: Intelligent Tango

Let me know how your practice is going and don’t forget to have fun while you are it!

Chrisa

P.S: I read every email so don’t hesitate to shoot me an email with your questions. If I don’t answer you right away, please don’t get offended… instead give me about a week max..! 😉

 

 

10min Tango Practice on posture, rotation and ochos

How we can make our ochos better or easier or better and easier…?
Classic question, asked by possibly all Tangueros and Tangueras around the world.

At the end of this post, there is a practice video that can surely help in that direction…
You can scroll straight down to it if  you like…
But if you want some extra tips keep reading through my quick story of a light bulb moment I had, while swimming in the Greek blue seas

A central glow…

I love to swim!
Generally I love being in the water… but I hate just sitting there. I want to move, to feel like I am cutting through the water.

My swimming skills are not really anything special, I make my way across with some success–aka not feeling super comfortable but still having fun.
So I started looking into Total Immersion Swimming Technique and started breaking it down to little exploration tasks for each swim.
For example, one day I was trying to really feel how my legs are moving my hips and what effect that has to the rest of my body and my swimming experience. The next day I would focus on a different body part and the third day I would explore the two together.

And then magic happened..!

When all the bits and pieces of my explorations fell into place…
Once each part of my body was moving in balance with all the rest…
My laps became so smooth, so effortless; I was just flowing through in the open sea

It was truly beautiful… But also a valuable lesson!
It gave me the opportunity to feel how movement can be rearranged if we manage to share equal amounts of energy in every direction starting from our bellybutton outward, creating a central glow!

How this applies to ochos and Tango in general..?

It doesn’t only apply to ochos, and Tango but to movement in general; as it helps us understand and experience our axis as a 3dimensional element.

So I want to encourage you to go through this video at least 3 times, following different paths:

  1. The first time you focus on the lower body, noticing any trouble, any blocks, any pain but also moments of comfort
  2. Then the second time you focus on the upper body again looking for glues, for ways to make the movement as effortless as possible
  3. And the third time focus on connecting the upper and lower body through your bellybutton. Specifically exploring the axis as a 3dimensional element, growing upward, downward, to the left and the right, to front and the back.

You can of course narrow your explorations down even more if you like.
Especially if you are feeling discomfort in a specific place in your body, it is always good to take the time to understand what it is that is causing the discomfort and if there is way you can move that can make things a bit more comfortable for you.
Always though finish your practice, with step #3 noticing how all things are connected.

Enjoy

Chrisa

P.S: Join the bautanz for more tips and drills like this one that are only shared with our subscribers

 

A 20min Tango practice on posture, walks and ochos

When we hear “tango practice” what is the image that comes to mind?
Most popular answer: “Hours in a studio practicing with and without a partner on things we suck at..!

Does it have to be this way though? NO!

Tango Practice can be enjoyable and motivating!

Tango practice doesn’t need to be that painful.
It can be hard work, but if it is structured correctly and timed properly it can actually be short, sweet and fun!

As you will hear me say in the beginning of this video, a Tango practice can’t start before we identify what the problem really is… Going in a studio to practice just because someone said you have to, will only get you frustrated.

So before you start your practice, take a moment to:

  1. think of any struggles you might be facing regarding, posture, walks and ochos (or Tango in general if you are not following the video above)
  2. find what you are REALLY good at regarding posture, walks and ochos
  3. draw the connecting line between what makes you good and what makes suck…
  4. build your practice based on #3… like a story that builds on a narrative.

So even though most people will tell you to just practice to correct your shortcomings, I want to encourage you to do almost the opposite!
Double down on what makes you good.
Figure out what is that ONE thing that makes you good. And then see if you can use that to correct what you suck at it….

*Note: I said “if”…
We all suck at something and we are all really good at something else. Nobody is perfect at everything. There maybe somethings you can’t fix… Accept them and bet on your strengths instead!

Tango practice can be short, sweet AND fun!

There is also another myth, around the length of practice…

For some reason most people think that the more the better. But really what is the point of practicing  for hours if you are going to be on your phone or on autopilot..?
And most importantly… what is the point of practicing when your technique is failing you?

As Terry Laughlin, swimming coach and founder of Total Immersion had said: “Stop when you realize your technique is failing you
And Luis von Ahn, the founder of Duolingo suggests around 20mins of practice a day to avoid burn- out..!

So why do we think dancing is any different than swimming or learning a language..?
Going past a certain time- limit, just for the sake of being in a studio will offer zero results and bring only disappointment and frustration.

What should we do instead?

Remember step #2 mentioned above?
*find what you are REALLY good at regarding posture, walks and ochos*

After you go through the Tango scan in your mind on what makes you good at posture, walks and ochos, change ochos to pivots and then revisit ANY activity you are really good at.
All activities have some version of posture, walking, and pivoting.

Bring drills from those activities into your Tango practice.
Everything is connected… believe me! The only thing you need to do is identify the connecting path.

By doing that you are not starting from 0.
You are starting from something you are already good at, you are already confident with and you are taking the details you find are common to Tango, into your Tango practice.

Not to mention how much more motivating this strategy is…
You are not practicing in the dark, you can actually have a plan. Then you are not starting from 0, even if you are a beginner in Tango. And lastly, you start from a place of confidence, from a place of power and that allows you to explore more and at a deeper level.

Is this something super easy to do..? No, but it is totally worth it!

And if you need help, subscribe to bautanz and you can get videos just like this one weekly in your inbox… Along with other inspirational goodies every Sunday..!

😉
Chrisa

P.S: Did you know we have an online course based on these very principles?
Check it out here: Intelligent Tango

 

 

 

 

 

3 exercises for balanced, smooth, successful enrosques

Enrosques..!
One word… Many many many sighs! haha

So many leaders have written and asked for ways to practice enrosques. They love the way they look, so powerful and yet so elegant BUT they get stuck when trying to do them…

If that is YOU… here is a video that can lead you to smooth, elegant, successful enrosques

As you can see you will get 3 exercises that follow a natural progression to enrosques, but before you get started, I want to encourage you take a few moments to consider which of the 3 elements that make enrosques tough–alignment, coordination and timing–you experience the most difficulty with.

Of course they are all related BUT try to detect which is the primary source of your trouble. This way you will have a:

  1. point to focus on
  2.  metric to track your progress. Meaning, if your timing is off for example, you can compare from practice to practice how your timing has improved
But don’t stop there… Take things further

There are 2 very important concepts that can be revealed and explored through enrosques. Concepts that are  vital forTango!

  1.  Coordination Vs Disassociation
    I think I have said this before…I hate disassociation as a word, because it transmits a very distorted message about how the body was built to move.For EFFICIENT, EFFORTLESS movement you need the different parts of the body to move supporting each other, in relation to one another and NOT as separate blocks!So making this practice about the communication between the upper and lower body, will be vital for your Tango. And enrosques are a great opportunity because they make it obvious
  2. Yielding.
    There is a power game being played in Tango that sometimes is needed BUT most of the times is useless and even dangerous as it creates a lot of tension in the body.I am sure you have heard of the cue: “Don’t collapse. Push into the floor”
    Try to do that with enrosques and you WILL feel stuck!Rigidity, hardness, pushing- pulling is NOT always the answer. Yielding, on the other hand, through the standing side, releasing tension, without collapsing towards the floor. Responding to gravity, by building a relationship of give and take, of understanding YOUR weight and how it reaches the earth, THAT can help you feel balanced, aligned and FREE to move.

    This is the 2nd vital element for Tango, but enrosques really bring it to light!

Have fun! Send me your questions and Tango trouble and remember Bautanz subscribers enjoy so much more weekly… What are you waiting for..? haha
😉
Chrisa

More on ochos, pivots etc, check out this page: https://bautanz.com/argentine-tango-technique/argentine-tango-technique-ochos/

 

Tools for confident Ganchos

Back in December, I reached out to the Bautanz subscribers and asked what they have been having trouble with.
Along with many other things, ganchos were causing some pain and so I decided to make a video for it.

Yes, you should work on ganchos even if you don’t use them that much in milongas..!

I find ganchos to be something that can teach us A LOT about posture, balance, effortless grounding, body awareness, timing and last but certainly not least connection.

That is why even though I know that compared to other things, ganchos are secondary, I am super excited to share this video with you today because all that you will learn you can apply it to your Tango technique overall.

What will you learn from this drill..?
  1. What is the MOST important ingredient for successful ganchos
  2. How do we respond to gravity and how we yield with one side to free the other
  3. What are the most common mistakes dancers make and how you can avoid them
  4. Successfully freeing up one leg so you can kick without losing your balance or tensing up
  5. Understanding what is the body supposed to be doing to support the action
  6. Finding how your frame should work to lead and follow ganchos without pushing and pulling on your partner and
  7. Timing

So with no further a do, here is your video:

Have fun,
Chrisa

P.S: If you need extra help on technique check this link out for ideas: Argentine Tango Technique–Don’t leave the gym yet