Category Archives: Traditional Tango

Giro Technique; 3 Videos to spin around with

Giro technique…it can be tough but we will smoothly get through it… 😉
In our previous post https://bautanz.com/2019/03/20/music-sensing-feeling-and-action/ we were looking at rhythmical explorations.
We used rebounds, walks and ochos and tried to figure out how these three elements, these basic Tango elements, can help us create something special on the dance floor.

These very elements though, we can find them in giros and naturally… this is what this post is about… Giro technique! 

2 Rhythmical variations

If you have been in Tango for some time you’ve probably been taught the giro step following this basic rhythmic pattern: quick quick slow slow

And the truth is that this pattern even though we don’t HAVE to necessarily follow it, works quite smoothly; it has a nice flow to it and that is why we are not going to be changing that rhythm today. We’re only going to be exploring it further…

The transition between quick-quick and slow, slow…

I think an image here can help us a little bit with his exploration.
Imagine a rainbow and on one end of the rainbow we have black and on the other end we have white and in between we have all the colours, every colour possible.
Our transition is THAT rainbow!
On one edge of the  of the rainbow will be the “quick” part and on the other end will be the “slow” part.
In variation #1 we will stay closer to the quick edge of the rainbow while in variation #2 we will move closer to the slow part. As we switch between the two, we will notice the colours in between and how our perception of them changes as we transition

If you are a beginner in Tango and you don’t know the giro step yet, then I would recommend that you watch the whole video from beginning to end and then just start practicing the step itself without worrying about the rhythm at all.
Don’t worry about the quick- quick ,slow, slow, just do the footwork and once you feel more comfortable with the with a step itself then you can move on to exploring the variations
If though you are familiar with the giro step I would encourage you to start from the END of the video from the very last exercise that focuses solely on the transition itself and then make your way through variations 1 and 2

Giro Technique: 8 anchoring points

Another vital transition for the giros, is the transition from standing on 2 feet to balancing over 1 foot and vice versa 
This transition hides a lot of habits, good and bad. And of course good habits are more than welcome…haha… the bad habits on the other hand we want to notice them and hopefully through our practices replace with more efficient ones

So here are some extra tips that can help you this video:

  • Listen for any trouble. Tension tends to be quite “vocal” through our bodies but we usually because we think it is normal for tension to manifest itself, we don’t pay attention to it. So distinguish between strength and unnecessary tension. Some of the most common places we find tension are: the hip joints, the lower back, the shoulders, the neck, the sternum, the face muscles
    So when you lift one leg up, make a quick check, take your mind through all of the above spots in your body and see if you can relax them
  • Standing with the weight split between the 2 feet. Notice how you reach for the connection with the floor tracing from the bottom up; from foot, to ankle, to knee, to hip, to ribcage, to arms, to neck and head.
  • You are special. Accept that your body is slightly different than your friend’s, your teacher’s or mine. Your focus should be to experience all the tips you hear in the video and not to bring the leg as high as I do, or to twist as much as I do. These movements exist in your body already; they live in your everyday walk, Tango is only an opportunity to expose them, become aware of them and possibly make them more efficient over time. So pay close close attention.

Hands to Ribs – A top-to-bottom practice

After talking about rhythm and after trying to understand and explore further the transition from 2 feet to a 1 foot balance, in this giro technique video, we are going to look into pivots and specifically we’re going to explore further the preparation phase for the pivots within the giros.

One of the most common mistakes we make in giros is skipping or pulling through the preparation phase; the phase where we are still transitioning from one foot to the other but we know there is a pivot coming and so we are preparing your body for the pivot; those very few seconds before the pivot happens.

What we will be doing in this video is acknowledging first of all that in-between stage, finding within our giro step.

And then we will be focusing on how the upper and lower body are working together during that phase, we will be looking at how much energy and power we need to create and use to make our way around the pivot and last but certainly not least we will be focusing on finding the right timing for the pivot to start.

Many a times we are running a little bit behind getting stuck in that in-between phase or as we mentioned before we really rush through it and we hop straight into the pivot so our goal here is to be able to avoid both of these troubling bad habits and to build a habit where we we are in control of the transition from a linear movement to a circular movement

Soooo that is all folks, at least for today. Giro technique right before the weekend milongas, perfect! And if you loved this and you want more, join the community of Bautanz!
I share a video every Wednesday… 😉

Chrisa
P.S: You can also check out our online classes: https://bautanz.com/intelligent-tango-programs-and-courses/

Tradition Vs Modernism — Tango Traditional Vs Tango Nuevo

“I think tradition is something living not something dead. It is the opposite of habit (…) It is not a habit; If a tradition is alive, it is a living thing and it helps.
That is one side. The other side is modernism;
Modernism is the result of an area of experiences. And one has to grow his way, so to say, in this field which is more or less unknown, un-proved and un-checked.
So I don’t see why the two things should be opposite; They both belong to life” Giorgos Seferis

Tango Traditional Vs Tango Nuevo

I remember back in 2008–when Tango Nuevo had taken over Europe–I was in a festival and the Dj during one of the milongas was playing the oldest recording of the oldest Tangos possible…

We were about to kill ourselves!

2018… Anything Traditional is the true Tango and we can’t even think of listening at another Gotan Project song…

hahaha
Well isn’t life funny..?

In milongas, practicas even classes around the Tango world there is this debate on what kind of music should be played–traditional Tango or Tango Nuevo?

With the underlying question being, which one is the authentic Tango; the REAL Tango?

For years, I had a role in this game…
In the beginning, I was defending the Nuevo music bands, like they were my own…haha
You see… I had learned Tango listening to those very bands; and though I became a great defender of traditional later I have to say, on THAT music… I learned Tango well, VERY well!

And so maybe that was why I was saying things like:
“The beat is a lot more clear than the traditional songs” or
“This is the kind of music younger people can connect to” or
“This is 2000 and 8!” (all this was me, but maybe it was you too)

Then, slowly I started reading about the music, the roots, the tradition, the history of Tango. I got to learn and later understand and love that very tradition which in the past, I had so easily pushed away.

But I hadn’t learnt my lesson…
Yet again, now on the opposite side, I defended traditional Tango against Tango Nuevo…haha…
Saying things like:
“You have to learn the tradition, you have to at least attempt to understand what created Tango” or worse
“This isn’t even real Tango, it is club music” (all this was me, but maybe you too)

Now, I am asking myself, why..? Why do we have to choose one versus the other? Is this even a logical and healthy debate? Why can I NOT like both?

Tradition & Modernism — “They both belong to life”

When I heard this very old interview of Giorgos Seferis two days ago, I saw more clearly the answer to the questions above.

He says: “I don’t see why the two things should be opposite; they both belong to life”

Why waste time debating between traditional and Nuevo music when we can spend that time to discover and enjoy good music
And why debate over which is the real Tango when we can instead learn the tradition and explore the endless creative options we have in a modern society.

But most importantly instead of creating more and more separation in our communities why not work together to explore and learn from the past and take the tradition further by keeping it alive; by giving it new shape and breath; and most importantly by sharing it

(Photo by karurosuros on Trend hype / CC BY)