Category Archives: Advanced dancer

Buoyancy in Movement

Describing buoyancy is not a straightforward task. It’s something that can be felt or observed in the quality of movement, but putting it into words is challenging. However, if I were to attempt it, I would say it involves a sense of support, fullness, smoothness and confidence.

Last week we were talking about alignment and balance. This week I wanted to share some drills that will allow you to explore buoyancy and observe how it manifests in the person’s body on screen.

Observing Buoyancy

I first wanted to share with two videos that will not only give you some good exercises to work on but also the professionals performing them are inspiring movers that make buoyancy evident, even through video.

  1. Basic Spinal Wave
    Presenting a fantastic video featuring Ido Portal, where he explores movements on the sagittal plane. In this short yet impactful video, you’ll find a step-by-step guide to the spinal wave, followed by a demonstration by Ido himself. This drill can be immensely helpful in rebuilding your posture. Consider also, watching the end first to witness the magical smoothness of his spinal wave, and then follow it up with the step-by-step section. Enjoy the journey!
  2. Building Vitality, Strength, Flexibility, Flow, and Ease through Embodying Our Muscles
    This is a full online class from one of the most charismatic and influential movement professionals, Bonnie Bainbridge Cohen. In this class she explores muscles with us. There is so much more to muscles than resistive exercises and stretching! Muscles have their own inner world and interrelationships that, when explored, open up another way of knowing and experiencing movement. Embodied movement at this level gives us a path to directly connect with the ‘mind’ of our muscles and provides a dynamic foundation for brain-oriented, consciously-directed movement.

Tango focused exercises for you to practice

  1. Back Ochos–ONE powerful drill
    In this video, we’ll be honing in on one essential aspect in our ochos—the spine.
    Sure, movement can be complicated and intricate, but it’s precisely this intricacy that gives it that deceptively simple appearance. By taking it one step at a time, we’ll begin to unravel the complexities, gradually making sense of how all the pieces come together harmoniously. So, let’s focus on the spine and unlock its potential!
  2. Musicality, Breathing and Posture
    This is live online workshop from August of 2022 where we focused on musicality, breathing, and posture. Our mission here is twofold: first, we aim to explore and establish the fundamental relationship between these three themes, and secondly, we want to equip you with the tools to create practice routines that seamlessly combine these different elements.
    When we’re just starting out, it can be challenging to craft a practice session that incorporates multiple themes and also fits into our busy schedules. That’s where this video comes in handy, as it’ll provide you with some valuable insights on how to achieve that balance.

As a side note, all the exercises we used in the last video above were borrowed from the book: “It Takes You to Tango – The Ultimate Guide to Tango Training for Leaders and Followers.” In this book, you’ll discover a wide array of videos supporting two chapters of Tango drills. But that’s not all! You’ll also find helpful tips on defining your level and goals, setting up a schedule, overcoming any barriers that might be hindering your progress, and even learning social skills and milonga etiquette.

Enjoy,

Chrisa

Alignment and Balance – Getting to Know Ourselves

Knowing how to use the words “alignment” and “balance” accurately is crucial because they describe the condition of our body. If we mix them up, things can get a bit confusing.

Alignment serves to describe how various body masses relate to each other, like the alignment between the torso and hips. However, it’s essential to recognize that this alignment path isn’t a straightforward line; our bodies consist of curved elements and oblique orientations, making things a bit more intricate.

Balance, on the other hand, revolves around the forces at play within our bodies. Just maintaining stillness doesn’t necessarily imply balance, as we may unknowingly be generating internal friction. Achieving balanced alignment entails finding the optimal position where forces can flow through the body efficiently. In contrast, imbalanced alignment often requires more effort.

Yet, it’s not a simple case of one being inherently good while the other is bad. There’s a nuanced aspect to consider. Occasionally, being overly efficient in our movements might impede muscle growth, prompting us to incorporate conscious inefficiencies in moderation. Additionally, certain dance styles may call for embracing inefficiencies to achieve specific aesthetics.

In the grand scheme of things, it’s about striking the right balance. Being mindful, understanding our bodies, and avoiding excessive strain can prevent injuries, accelerate recovery, and instill a sense of confidence in our movements. So, let’s embrace this journey of discovering optimal alignment and balance to move through life with grace and resilience!

So let’s dive more into this with some actual drills:  

  1. Foot Alignment and the Shift of Weight
    In this video we will be exploring the intriguing world of weight transfer during side and back steps. It is quite common for individuals to inadvertently place an excessive amount of weight on their big toe, which, from a health perspective, is not ideal. However, fear not, as we have you covered with some fantastic exercises designed to help break this habit. Our primary objective is to guide you towards adopting a healthier foot alignment, precisely over the middle of your foot. By doing so, you will be able to prevent foot, ankle, knee, or hip discomfort, and even potential injuries. So, let’s begin, and together, we will be showcasing how these exercises can help you move like a pro while keeping those troublesome aches and pains at bay!
  2. Alignment and Re-Alignment of the embrace
    This is more an exploration rather than a drill. So here you will need to spend a couple of moments first disconnecting for the image you see on your screen, and instead focus on noticing what your structure looks like. How your forearm relates to the rest of the upper will be unique to you and so this is where you need to start from and what you need to remember throughout this exploration; don’t copy the teacher.
  3. 10 min Practice: Legs, Balance, Alignment and Spice
    And here is another drill, that combines elements of fitness or yoga with tango exercises. As you immerse yourself in this video, you’ll discover varying levels of efficiency at play. The initial section which is more fitness oriented, can serve as an energizing “work-out,” but you are offered the flexibility to adjust the level of efficiency and therefore intensity, based on your specific objectives. So, get ready to embark on this dynamic journey, where you can reap both the benefits of tango finesse and invigorating physical activity!
  4. Graciela Gonzalez and Ezequiel Mendoza
    The one and only Graciela Gonzalez; the Maestra of many of the Maestros and Maestras popular today. Look at the confidence, the certainty, the awareness. She is so grounded, and in-tune with her body. Clean movement, someone can even say simple but it holds some strange kind of magic. When looking for a good example of balance and alignment, my mind when straight to her. If you have a chance to see her or get a class with her don’t skip it; she is tough but she is worth it!

Enjoy and join our community for even more tips and drills! And if you want a comprehensive guide for your Tango practice, try out “It Takes You to Tango”

Chrisa

Posture Correction – Upper and Lower Body Coordination

Thank you to everyone who joined us last Sunday for yet another Tango Movement Lab, focusing on posture. I personally had a blast and I hope you did too.

I would also like to express my heartfelt gratitude to those who generously support Bautanz. Every donation means a great deal to us and we are truly appreciative. Thank you for making monetary contributions through our PayPal account.

Today, I have prepared a breakdown of last Sunday’s practice. This way you can focus on the specific sections that you feel you need the most assistance with. Remember, every minute counts! If you don’t have a full hour, take it one section at a time. Without further ado, let’s dive right into it.

Posture Correction – Upper and Lower Body Coordination (Full video)

To effectively correct our posture, it is essential to dedicate time to recognizing our current state, understanding our default posture, and determining our goals. Furthermore, we must perceive posture as a dynamic entity that constantly evolves, breathes, and adapts alongside our movements. An integral aspect of this understanding lies in recognizing the harmonious alignment among the primary volumes of our body—the head, thorax, and pelvis.

  1. Posture Correction Step 1 – Identifying where you are: Minute 7:47 to 10:43
    Before making any adjustments, it is crucial to identify our default posture to establish a starting point. Take your time in this section to enhance your awareness and deepen your understanding of the interplay between the head, shoulders, and hips. Let this exploration help you understand your body’s alignment and relationship within these key areas.
  2. Posture Correction Step 2 – Aligning the 3 volumes of the body: Minute 10:43 to 25:33
    Here we will be working with the horizontal axis to find what we call the “0.0 posture.” This involves exploring the limits of spine flexion and extension and finding the neutral zone. Through this process, we’ll develop a connection between the head, torso, and pelvis that has three important qualities: we feel relaxed, but also ready to move, and we are able to breathe comfortably without any restrictions.
  3. Buoyancy in movement – the Back Fascial line: Minute 25:33 to 47:53 
    In our previous workshop, we went through this exploration, and now we need to revisit it in this context. It’s important because it helps us further explore how the three body volumes coordinate and because it adds a sense of buoyancy to our movement. Plus, it’s where we start to grasp how rotation works in the body.
  4. Tango Drills: Minute 51:00 to 1:04:33
    And, of course, we conclude our practice with Tango-specific drills that give you the opportunity to practice these concepts both with and without a partner.

Please share your thoughts, comments, tango – troubles or light-bulb moments, I would love to read them. Also share all this with friends, dancers or not, if you think they will enjoy it.

Chrisa,

P.S: More on Posture, check out this article.

“Embrace: Journey of Connection & Expression”

In our last practice we focused quite a bit on the embrace or better said our frame. We also worked on understanding how leading and following works. And so today, I wanted to take the opportunity and expand a bit on all those other elements that turn a frame into an embrace; that make a frame feel like a hug, and a dance like a journey allowing us to connect and express ourselves.

“Embrace” yourselves, for a “hugsy” list..!

  1. Fun Fact: Are you getting enough hugs?
    Are you getting enough hugs? Virginia Satir, a world-renowned family therapist, is famous for saying “We need 4 hugs a day for survival. We need 8 hugs a day for maintenance. We need 12 hugs a day for growth.”
    Now, I can’t vouch for the scientific research backing the need for hugs, but hey, it’s always a good thing to have Tango in our lives, right? We can replenish our hug reservoir anytime. It’s a bit funny though, I stumbled upon this article talking about ways to get more hugs, and guess what? Tango wasn’t even mentioned! How could they miss such a fantastic option? 
  2. Hugging can be a social “no-no”
    Our cultural background and upbringing play a significant role in determining our comfort level when it comes to giving and receiving hugs, particularly when embracing strangers. Many of our students, prior to Tango, were not accustomed to hugging in such situations. While they didn’t necessarily have a strong aversion to hugging, they hadn’t realized how much societal “taboos” were hindering their progress in Tango. Feeling uneasy in an embrace can greatly impact your entire dance experience, from communication with your partner to your posture on the dance floor. The sooner you address this and work on embracing and being embraced, the quicker you’ll discover new possibilities in your Tango journey. So, how can you achieve that? Well, a few ideas include understanding the proper framing and using it to communicate effectively with your partner—an aspect you can practice on your own. Additionally, regularly dancing with different partners in various types of embrace also helps. For more tips and additional drills, take a look at the embrace section in the book “It Takes You to Tango” alongside the suggestions provided below. Happy dancing!
  3. Exploring the embrace while having fun
    You’ll discover numerous videos on my channel that delve into the topic of embrace. However, I’ve chosen to share this particular video with you because it incorporates the element of “play” into the practice. Embracing a playful mindset during your learning journey can profoundly impact your progress and overall well-being. Instead of treating practice as another obligatory task to complete before enjoying your hobby, integrate it seamlessly into your passion. Let your practice become an enjoyable part of your hobby, enhancing your overall experience.
  4. Sometimes a silent hug is the only thing to say
    By Robert Brault.

Enjoy and subscribe to our bautanz community for more posts like this.

Chrisa Assis

4 Key Focus Points for Your Practice

In our last practice, we covered a lot of content and introduced several exciting concepts during the session. To help you make the most of the recording, I wanted to share four key focus points with you. This way, if you want to dive deeper into a specific concept, you can easily find the relevant parts of the video. Happy learning!

So let’s go right into it

Upper and Lower Body Coordination – The Key to Happy Dances.

First the recording itself; this is the video of the whole practice for you to watch and follow along.
This practice will guide you in understanding how your body plays a vital role in executing Tango’s rules, all while ensuring your safety and preventing any discomfort or frustration on the dance floor. 

4 Key Elements of Focus:

  1. Rebuilding the Embrace (12:09 – 35:26)
    We are leading and following through the arms. Now be careful, not “with the arms” but through the arms. We need to pay attention to how we position our arms, so that the forces between us and our partner flow through our bodies and connect with our legs. TIt’s also important to consider how our body adjusts when our partner applies pressure or pulls us. The goal is to make our entire body an active part of the leading and following process, rather than just relying on our frame.
  2. Connecting the dots (42:48 – 49:06)
    Our body is a remarkable interconnected system. In today’s session, we’re focusing on the back fascial line, as highlighted by Tom Myers in, Anatomy Trains. But why does this matter? By recognizing the interdependence of various body parts, we can reduce the effort required to control them during movement. We’re creating a seamless system where one movement naturally flows into the next, allowing us to fully embrace and enjoy our dances.
  3. Buoyancy in your movement (49:12 – 54:06)
    Imagine your body is wrapped in a comfortable and flexible hammock. There every movement you make applies a gentle force that ripples through its fabric. As you exert force on one side, the other sides adapt and mold to accommodate. And when you release the force the whole body floats back to its initial position, with buoyancy and comfort instead of you pushing and pulling things together. 
  4. A Tango Drill (56:00 – 1:03)
    This drill sets the focus on our walks. It is intended to put these concepts we worked on above in a Tango perspective. If you are looking for a quick practice drill, you can just do this and be sure you are building on some good habits.

Dance to share our humanity

Dance, is probably not one of those things your financial advisor would list as something necessary. And generally Art does not appear high in the charts of things we need to survive. And yet history, but also experience, teaches us otherwise. Art brings us close together, allows us to form communities and to identify all as one, strong human nation. And that is very powerful, once we find the courage and grab the opportunity to share our humanity.

Dance to share

All types of dances and all types of art forms have this power, to bring people together. This is why, for example, juntas in the past would burn books, prevent songs from getting produced, ban theatre productions, even stop people from simply getting together for a celebration.

Especially though the forms of art that relate to folk traditions, and Tango is a great example of that, seem to be even stronger because they are created by more people, they are accessible to more people and generally involve more people. And dance itself being a language that involves the body, gives us the opportunity to communicate and relate to one another in a much more direct way, if of course we don’t get lost in translation.

The question though is what exactly do we share? And this, has been a question that I have asked myself many times, because I think it has a lot of layers to it and the answer changes as I grow, in age and in dance.

So at first I was thinking like a special snowflake, that my dance should be showing MY perspective, MY view of Tango, of dance, of the world. (nothing wrong with that by the way)
As time went by though, I noticed that the above grow smaller, along with the need to prove myself. And I was more interested in sharing the moment.
Sharing the moment, though, means coming in to listen and to respond; building a conversation. This conversation will be painted in the colours me and my partner bring in with us. Colours of experience, of memory and of the senses. Colours that we may not even be aware of. And we trust each other, to receive those colours with care. And this is how art grows.

When presenting to an audience, either in performance or in a class, I share my colours with the audience or the students, along with colours I have managed to absorb from predecessors of the art I am representing and the art I am bringing with me. And then that group of people will need to match me with their colours. As I trust them, they need to trust me and their partners. And this is how art grows.

What does it mean to share?

So what does it mean to share? It means to trust and to be vulnerable. Inevitably if you wish for a dance form not to feel foreign to you, you need to be ready to trust and therefore create this fine balance between being vulnerable and setting expectations for your audience, your students, your teachers, your partners. Because if you don’t have expectations from them what are you trusting them with?

And the level of expectation is built along with the trust and grows along with the sharing. “Sharing means caring” as they say. It is a cliche but you know what, cliches are cliches for a reason. Any dance, any art form received with care can become universal, can move the whole world. And it all happens through us, through me and you.

How we get to share?

Well, the first obvious choice, for those of us in dance, is of course to dance. And in more general terms, to participate in the reproduction or the spreading of the art form we are involved in.

But there is also another element. The element known, in the circles of Somatic Dance and Body Mind Centering, as holding the space for our partners. In Tango this happens in the classes when you hold the space for your teacher or your partner to keep exploring certain elements with you.

But also it happens in the milonga. And maybe you have heard many teachers say this, that Tango is not just the steps or the specific patterns; Tango is the music, the history, the community, everything. Tango grows and flourishes in milongas only if the people present, hold the space for it to grow.

Only if the people present are not there, just to do intricate steps on the music, but to be with the music, in their community, being there for their partners on and off the dance floor. When we are not dancing, we are not wasting time, for Tango to grow in our communities we need to hold the space.

The importance of dance and art in general in our lives

Can we live without art? Sure I guess we can. But it would be dreadful and lonely life.

Some people who have been to Buenos Aires, have experienced this holding of the space in some milongas. They come back and are trying to explain how it was magical but they just can’t find the right words. And the truth is, it is not easy to explain the feeling. But if I had to, I would say, it feels secure, grand, and full of possibilities. Possibilities though, that don’t feel out of reach. No, on the contrary they feel so close to you because you have the whole community backing you up. Magical!

So, I have changed my mind… no! we can’t live without art. It would mean forgetting we are human.

What do you think?

Chrisa